XXXV: Thomas M. Disch, On Wings of Song (1979)It must say something that my earliest reading of sf included both E.E. Doc Smith and Thomas M. Disch, and that I was reading the New Wave before I had a real sense of what the Old Wave was. My guess is I read Disch's spoof interview in
New Worlds 10 with R.G. Allbard, author of
Rash fairly early on, certainly before knowing who Ballard was. When venturing into the adult library during a similar period I discovered Ballard and Dick, and then (having been turned onto Vonnegut) Jack Trevor Storey and John Sladek - specifically
The Müaut;ller-Föaut;kket Effect. Somewhere along that line of reading I must have connected back to Disch.
This would have been prior to the Minnesota Sequence - there were the various disaster novels, several collections of short stories and I even found some of the poetry. Whilst Disch was clearly a master ironist, his fiction seemed relentlessly downbeat, without the sense of psychic fulfilment that the ending of, say,
The Drowned World had. Aliens invade and human fight back - unsuccessfully. A hero is imprisoned for a crime he did not commit, and is killed. There is
no up escalator.
Whilst I bought my copy of
On Wings of Song 18 October 1991 from Murder One (presumably on the way to the PKD event) I must have read it earlier than that, probably in hard back. As a mark of rememberance and as part of an on-going project I've alluded to before, it was time for a
( re-read )For those of you who have already read the novel, or who are unafraid of spoilers, I've written about it in different terms at
Solar Flares, a
space I've set up for my exploration of 1970s sf.