-- Thomas M. Disch

Look at the map and tell me where
A conscious mind would not despair.
In Poland? Palestine? Peru?
In Angkor Wat? In Timbuktu?
Twist as you will upon the grid
Of North, South, East, and West, amid
Whatever fleshpots Rome may boast,
Or safe at home with buttered toast,
At least it all comes down to this --
The world's too big for bombs to miss,
The law too weak, the door too wide
To forestall every suicide.
While there are motive, means, and time,
There will, as sure as death, be crime.
Our hope must be that those who've got
The right, or guns, to have us shot
Will set a limit to their catch
And feel no need to fire the thatch;
That just as long as power buys
Good opera seats and alibis
The guilty rich will be content
Still to convene their Parliament,
Still to resist the urge to wreak
Some vengeance on their heirs, the meek.
How like the thief's benign reprieve,
Who'd spare our lives and only thieve,
So long as we do not protest
We even may enjoy the jest.
This is the social contract we
In 1986 A.D.
Must live by if we mean to live,
Committing sins we can't forgive
With every coffee bean we grind,
And every heart, and every mind.
(For surely if you've wit to trace
A line of logic through this lace
Of verses, you're among the few
Who're well -- or well-enough -- to-do
And can't too bitterly complain;
For thoughtful minds are free of pain
To the degree that they can think
And alchemize their thoughts to ink.
Happy the man who can declare
His angst with any savoir faire.
More happy still if he repine
Over a five-buck jug of wine.)
How swiftly, ably fear deflects
The squeamish eye away from texts
So dire toward each bright ad's plea
For booze and equanimity.
Internalized that turns the eye
And tunes the slavish tongue to praise
Our meted lengths of rope and days?
Laud we the god, for yet we breathe,
And hang in heaven a smoky wreath
Of thanks for yielding yet a year
More to the time we're sentenced here.
Between the jailer and the jailed
There's no hope lost. The god that failed
To intervene at Buchenwald
Will not decide to be appalled
At infamies that shall be nameless.
That god is dead, and history aimless
Enough of peeling New Year's chimes.
I want my coffee and The Times.
faustus: (heaven)
( Jul. 26th, 2008 06:45 pm)
XXXV: Thomas M. Disch, On Wings of Song (1979)

It must say something that my earliest reading of sf included both E.E. Doc Smith and Thomas M. Disch, and that I was reading the New Wave before I had a real sense of what the Old Wave was. My guess is I read Disch's spoof interview in New Worlds 10 with R.G. Allbard, author of Rash fairly early on, certainly before knowing who Ballard was. When venturing into the adult library during a similar period I discovered Ballard and Dick, and then (having been turned onto Vonnegut) Jack Trevor Storey and John Sladek - specifically The Müaut;ller-Föaut;kket Effect. Somewhere along that line of reading I must have connected back to Disch.

This would have been prior to the Minnesota Sequence - there were the various disaster novels, several collections of short stories and I even found some of the poetry. Whilst Disch was clearly a master ironist, his fiction seemed relentlessly downbeat, without the sense of psychic fulfilment that the ending of, say, The Drowned World had. Aliens invade and human fight back - unsuccessfully. A hero is imprisoned for a crime he did not commit, and is killed. There is no up escalator.

Whilst I bought my copy of On Wings of Song 18 October 1991 from Murder One (presumably on the way to the PKD event) I must have read it earlier than that, probably in hard back. As a mark of rememberance and as part of an on-going project I've alluded to before, it was time for a re-read )

For those of you who have already read the novel, or who are unafraid of spoilers, I've written about it in different terms at Solar Flares, a space I've set up for my exploration of 1970s sf.
faustus: (rooftop)
( Jul. 7th, 2008 12:50 pm)
A poem - more here: http://www.speakeasy.org/~rubel/disch/ and http://www.cs.rice.edu/~ssiyer/minstrels/poems/443.html,

The Art of Dying

Mallarmé drowning
Chatterton coughing up his lungs
Auden frozen in a cottage
Byron expiring at Missolonghi
and Hart Crane visiting Missolonghi and dying there too

The little boot of Sylvia Plath wedged in its fatal stirrup
Tasso poisoned
Crabbe poisoned
T.S. Eliot raving for months in a Genoa hospital before he died
Pope disappearing like a barge in a twilight of drugs

The execution of Marianne Moore
Pablo Neruda spattered against the Mississippi
Hofmannsthal's electrocution
The quiet painless death of Robert Lowell
Alvarez bashing his bicycle into an oak

The Brownings lost at sea
The premature burial of Thomas Gray
The baffling murder of Stephen Vincent Benét
Stevenson dying of dysentery
and Catullus of a broken heart

-- Tom Disch
faustus: (gorilla)
( Jul. 7th, 2008 01:02 am)
Shit. More, maybe, later - I was going to reread On Wings of Song soon, but now:

PKD on TMD: Camp Concentration is: “I think, not only the finest science fiction novel I’ve ever read but now that I’ve realized that, I find myself reflecting that it is the finest novel as such” (SL [1972-3]: 65).


"A predilection for genre fiction is symptomatic of a kind of arrested development." - TMD
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