faustus: (Culture)
( Sep. 2nd, 2009 11:00 pm)
When Joseph Beuys crashed his plane during the Second World War, the Tartars who rescued him rubbed animal fat on his body, and wrapped him in felt. It should be no surprise to see felt and animal fat as recurrent elements in his ready mades and central to his art.

Beuys is the subject of the Artist Rooms exhibition at the De La Warr Pavilion in Bexhill on Sea. The Artist Rooms series of exhibitions are sponsored by Tate and the National Galleries of Scotland, and are scattered around the country - Warhol in Walsall, Mapplethorpe in Sheffield - but you need to do some digging to find the dates and locations of them (the Tate's own website not being that informative - http://www.tate.org.uk/collections/featuredworks_doffay.htm is one way in), and seems to be built around the donation of Anthony d’Offay (see also http://www.guardian.co.uk/artanddesign/2009/aug/24/artist-rooms). ETA: http://www.tate.org.uk/collection/artistrooms/ gives dates and venues

Beuys is Here )
faustus: (Culture)
( Jul. 15th, 2009 07:17 pm)
Or at least I'm being on display - photos, printed big and framed. This is the rationale:

Defamiliars
Andrew M. Butler



The best science fiction defamiliarises the everyday and makes the strange seem mundane. As reader, critic and teacher of the mode, I cannot but look at the world with sf eyes.

I look to be defamiliarised, to see the world as an alien place or full of strange things. There are the Pyramids of Wincheap, the supernova in a streetlight, the Fairies of Habitat. Mike, suited and booted – and no doubt bored with the oldsters – looking for all the world as if he has slipped through time from the 1950s, the blue haze of smoke trapped in oblique sunlight, Ollie, looking more suspicious than he really was, smoke caught in the air. Moments which are there now only in the pixels.

MeannessI am also seduced by graffiti – messages left for others to read, inviting dialogue. Elsewhere I have been told that WOLVES ARE MEAN and that SPAIN IS DIFFERENT and it has been suggested that I FOLLOW THE WHITE RABBIT, presumably by a fan of The Matrix.

I am drawn to reflections which open up new worlds – into the flatness of the abyss, into the abysmal flatness, into mirrors, into glass, into water, where surfaces play against distances, and the viewer strains to orientate themselves in space and time. The flatness of the paper contrasts with the depth of the fields in view, the distance between the viewer and the image and the distance reflected in the glass of the frame.

And finally – rarely – I am tempted by Photoshop, to create something alien from the elements of the world. Blake saw a world in a grain of sand – I saw a satellite orbiting a planet in a shopping centre sculpture, the British Museum roof and a pint of Guinness, and something sexualised in a piece of modern architecture.

DefamiliarsDefamiliarsDefamiliars

Powell Building (mostly first floor), North Holmes Road Campus, probably until about Christmas.
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faustus: (Default)
( Jul. 4th, 2009 01:42 am)
2009_0703whitstable0002
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faustus: (Default)
( Jun. 19th, 2009 10:52 am)
Don't click! )

Don't say I didn't warn you...
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faustus: (Default)
( Mar. 14th, 2009 12:00 pm)
Some days out it's just shapes

DSCF0067DSCF0066


Or light
DSCF0059aDSCF0061DSCF0055


Relax

DSCF0039

Wait

Waiting

Until it's time to go home

DSCF0074

Or fall back on homage (to Abrinsky)

homage
faustus: (Default)
( Jan. 11th, 2009 12:46 am)
So, having looked at the rail timetable for Sunday I went to London on Saturday instead, and took in the Wallace Collection (well, frankly little of it), the Royal Academy of Arts GSK Contemporary exhibition (more than planned, frankly) and Tate Modern's Rothko exhibition (and another look at the Unilever exhibition in the Turbine Hall). Write ups later but - given that I spent large swathes of today in areas where photography is verboten, how come I did 94 photos?

Okay, it turns out I was playing with night shots, and in part attempts to photo the no-longer-full moon at perihelion. Trying out a new tripod, which clearly, er, has a knack.


This is without making use of a tripod:

Moon

And this is making use of the railing that was frosted an hour or so later:

St Paul's

The quality of light is fascinating - both are eight second exposures.
Toby's Light from the North blog has borrowed my semi-ironically titled picture "Leicester - It'll Be Good When It's Finished" for an entry

I have nothing against Leicester (well, maybe against Leicester buses), and have made similar comments about Coventry, Manchester, Birmingham and London, albeit not necessarily with photographic evidence. I hope to get back next year, to view the finished architecture of High Cross and The Curve.
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faustus: (culture)
( Sep. 12th, 2008 06:07 pm)
Take this picture. )
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Not to Be Used for a RecceA while back, [livejournal.com profile] abrinsky, [livejournal.com profile] lamentables and myself were all individually prevented from taking photos such as the one to the right, "in the light of the current situation." I don't recall hearing of anyone being stopped during the period of the IRA bombings in England, nor can I see that this sort of thing is likely to be useful to any Al Quaida operative. This is surely paranoia - and you would have thought that someone found their shopping centre interesting enough to take photos. (Mind you, I've taken some of ugly ones too.) Of course, the shopping centre is private property, so the security guards can do what they like.

 

 

 

Prince's QuaySt Stephen'sAmy Johnston

Then I heard that a photographer from Sittingbourne had had two rolls of film confiscated by the Humberside police, for taking photos in a shopping centre in Hull - although not the ones depicted to the left, although you can glimpse it behind the curiously short and squat woman.

Ok, maybe candid photography might look a bit creepy to some people, but it sounds like an over reaction to me by the police (although note he did get the films back this week). A little word with him should have been enough to reassure the police. But watch your step, and be proud to do your part to Stand Up Against Terrorism.

No photos! There's nothing to see. Move along.

For story see: here and here

faustus: (roof)
( Oct. 8th, 2007 01:14 am)
Today I passed 5000 hits and posted my thousandth photo on Flickr.

Jane and I
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