The plan was to spend a week (well, five days) in the library of the Science Fiction Foundation Collection, and, because I'd noted that I've never been to Betty's* and there was an exhibition of Ettys, a couple of days in York could follow, since Liverpool and York are so convenient for each other.** Because it would would be good to get away from the term from hell, the hellest one since I last spent time with my brother in the winterval period.*** Ettys and Betty's, what could go wrong?

At about this time I recalled the Alice exhibition at Tate Liverpool, and thought wouldn't it be a shame I'd miss it. Eventually I realised that I wouldn't have to miss it, but I would have a short window to get from Lime Street to the Feathers to Albert Dock and look round. This I did, and once I've read the catalogue I should be saying more on an interesting if coy collection. But, hey, a Thom Demijohn book in the Tate!

So, a week reading up for the next book. Only, the reader's report has reemerged for the seventies book, and stuff needs sorting, and there's that deadline for an article on Jan 15th, plus the Survivors thing... Put it this way, Plan A didn't get much attention.

Wandering back from Whitechapel Caffe Nerd, I passed Doctor Duncan's, a Cains pub which looked very interesting, and which I planned to revisit, but at this point there was a Chicken Bazooka with my name on it. Have a nice relaxing week - catch a movie at FACT, have a drink or two in the Phil, but mostly watch those DVDs and read those books I'd brought with me.

Monday night was film night - the cheery Another Earth, watched from a sofa, and which has the virtue of being shorter than Melancholia. I'd arranged to meet someone Tuesday night, but they blew me out, and so it was on my own that I went to the Ship and Mitre, a pub with at least ten real ale pumps. Ooops. Although it has a reputation for serving locals before strangers. H'mm. I walked back towards the hotel, past Doctor Duncan's - as I'd allowed for calories for two pints - and for once bore right up Renshaw Street rather than up Mount Pleasant. I turned left at Oldham Street, which I assumed would go through to Mount Pleasant, and then right as I felt this should go through, and passed the Roscoe Head. This was odd, since I'd just been at the Roscoe Arms and wasn't clear how they'd join up,**** and interesting as it declared that it was one of the Magnificent Seven, the seven pubs which have appeared in each of the editions of The Good Beer Guide. I hit Leece Street and turned left, then felt sure that I needed to cross the road for Rodney Street. This brings you out at a very big church, the one which looks like Tate Modern rather than being Paddy's wigwam, and not where I needed to be. A left turn took me onto Hope Street, to said Wigwam, and the hotel and bed, although the hotel oyster card failed twice, necessitating the three flight of stairs to be navigated five times.

The Roscoe Head clearly needed a visit, but was clearly closer than fifteen minutes' walk, indeed seemed likely closer to two. Assuming I could get unlost in the same way. So I went there on the way to the Ship, and took advantage of the third pint servings to try three beers. Then a circuitous route to the Ship and more beers. At least I was drinking halves. Getting lost is the theme of the week.

The next day saw more research into the magnificent seven, which didn't yield the other six, but revealed a microbre - The Baltic Fleet, opposite Albert Dock. But first a meeting with an editor, in the Cambridge, and an attempt to drink a pint of Mansfield for the first time since... well, maybe even the 1980s - it was off, so I went for a pint of (I think Banks) an had a conversation which might have consequences, but certainly rewrites. I walked via the hotel (and the bookshop) to Caffe Nerd in Liverpool One, then found my way to the Baltic. I tried a few halves, before taking a long, circuitous and not at all lost route to Doctor Duncan's, where I tried a couple of Cain's beer. Feeling sufficiently mellow, I needed a fix of Chicken Bazooka.

The next day I was due to go to York, but I had a couple of hours to kill, so wandered into the city centre and had a coffee, and did some editing, and then emerged to sleet and snow and rain. Losing my bearings, I took forever to find Renshaw Street, and got lost again, cutting through to Mount Pleasant. Eventually - half an hour into a ten minute walk - I found the hotel and my rucksack, and set off back down the hill to Lime Street. It was a good job I'd booked a seat, as the train was full, but I did some editing. The snow was coming down until we hit the Pennines, and I was rather bemused to note that we appeared to be arriving in Bjork.

I took a taxi to the hotel as I was On A Mission, and the driver warned me about how alcoholic the owner was. It turns out he was thinking of a different hotel, and that I had a better idea of where it was than he did. I checked in and then yomped into town to a certain shop, then to the far end of town to the City Gallery where I saw Filth! in the shape of Etty nudes. This provoked some daft criticism from the critics of the period and some dubious curatorial commentary - "the artist was praised for the depiction of voluptuous female nudes, which many in the period believed encouraged immorality. In contrast the male nude was considered to be highly moral, as it was often associated with heroic acts."

One of the heroic male nudes:



Amusingly, the catalogue also prints it turned through ninety degrees anticlockwise.

Filth, I say.

Then from Ettys to Betty's, and a queue for an overpriced but nice cream tea. R. texted and phoned me whilst I was in there, but you aren't allowed mobiles, so I secretly texted him back and agreed to meet in the York Tavern, not the pub I thought it was, it turns out. Almost every where else was heaving, but the Swan on Goodramgate had standing room, and yielded a couple of pints. On my way back to the hotel, I inadvertently found myself in the Tap and Spile for one more. When I came out, I crossed the road, and headed in the wrong direction.

I have lost my mojo.

I got up on the Saturday with a sense of something having gone wrong, and slid into town on lethal black-iced pavements. I got the Apple Fascists at Stormfront to fix my iTouch, and after a coffee and editing, and a long walk up Micklegate, went back to finish off Etty and buy the catalogue. I also had a pasty and gravy, before heading for editing in a coffee shop. R. texted me, and arranged to pick me up. We had an Indian meal, and he drove me back to the hotel. No booze, to some relief.

And then back to the station, where my train didn't exist - it had been retimed, and then delayed, much to my annoyance. On the other hand, I got to St P in time for the Faversham train, having managed to miss the change at Ashford one which would have required a taxi home.

Back home for a nap by 3pm - and a cat who clearly missed me. A productive and emotional trip - I just have to find the other six pubs now.



* I feel this is a title that someone should use. For what, I don't know.
** I travelled between the two during the SFF Masterclass. Clearly I had forgotten the travelling time.
*** What can I say? My irony comes in cycles? I never learn from mistakes.
**** They don't.

So Saturday I spent eight and a half hours travelling to spend about four hours in a gallery - which isn't a bad score really. Having recently found First Class cheaper than Standard (to and from Sheffield), I again travelled First, which is tough on principles but softer on the backside, and was only ten pounds more for guaranteed table and wider seat. plus indifferent free coffee. The train was curiously empty. I'm sure the whole journey took less time than it did to drive. It also seems likely that it is quicker to walk from St P to Euston than take the tube.


The point was to see the Magritte exhibition - an artist whom I really like despite his being a one joke artist in the same way that Foucault is a one joke philosopher. It is a very funny joke. Since I anticipate writing on levels of realities as bollocks in at leas two places, it was good to see the work in the flesh. My new favourite Magritte story is how he was asked by a potential patron for a particular painting, which he had already sold. He offered to paint a copy, which would be the same as the original as it was by him. Apparently he thought nothing of painting several copies of the same image and selling it to unwitting collectors. I'd done my homework and bought the catalogue from Tate Britain - in fact an A to Z rather than essays, and it is not clear how far this and the exhibition overlaps (the exhibition didn't have The Rape, I believe the book does).

Despite having seen the Hayward Magritte exhibition in c. 1992, I didn't know or had forgotten his commercial works - which out Warhols, Warhol I guess - nor the photographs, some of which replicate the paintings. I certainly hadn't seen the home movies. What shocked me was the fact that we were warned that some of the art was challenging. This was not, incidentally, the female nudes - variations on The Rape, and the half dozen or so paintings of bits of a woman, as well as half a dozen female nudes are fine. This was the half dozen sketches done for Bataille, a monk masturbating, anal sex, a penis with wings and a giant vagina. Do they really need to be behind a curtain? This was hot on the heels of the Postmodernism exhibition which feels the need to warn about sex (two skyscrapers having sex) but not death (the Hindenberg disaster) and drug use (The Last of England). God forbid that art ever challenge.

I timed my arrival badly - I needed a new belt although on the other hand I skipped coffee - and hit a crowd. It did quieten out again, but when, after two hours, I fancied a second lap, another crowd had emerged and I gave up. I did the Carol Anne Duffy curated exhibition and one by a hat designer, plus the This is Sculpture one, at least one of which I've seen before. Duffy clearly knows more female artists than the other two curators, which really shouldn't surprise me. Finally there's an Artist Rooms feature - Robert Therrien's giant furniture and plates.

After all that, I didn't have the energy to go to the Walker Galleries - which was between exhibitions anyway - nor one of the two secondhand bookshops and went in search of coffee, which was harder than planned. I also bought a couple of Moleskin notebooks, and began scribbling ideas for two of the articles/chapters which are gestating. I have the sense that I have glimpsed the shape of the sculpture, and have but to chisel away the excess rock. At some point I need to do some primary reading but the secondary is going great guns.

Today, not unexpectedly, I was exhausted, but I did get Foucault's This is Not a Pipe read, or I suspect reread, which yields a couple more quotes for the article.

As much for my own convenience, I quote myself, from an article on Lies, Inc, although my immediate future usage of Magritte is not to consider Dick, with wings or otherwise:

The nearest other parallel to Dick’s textual effect I can think of are the various paintings by Belgian artist René Magritte which feature an image of a painting within the painting, sometimes including a self-portrait of the artist painting within the frame. In The Human Condition there is a painting of a landscape, standing on an easel in front of a window, through which part of that landscape is visible. The painting-within-the-painting and the partially obscured landscape form a continuous whole. As the painting-within-a-painting is made of the same materials as the painting itself, how can we tell that any painting by Magritte – or any artist – is not a painting-within-a-painting, with the borders of both coinciding? Both paintings are constructed from the same paint and are painted on the same surface; it hardly makes sense to talk of a primary and secondary painting.


I note that in the draft of that article, I invented a Magritte painting for rhetorical reasons. I rather regret I was persuaded to change this
This year's world tour has been brought to you by the letter L.

Leuven, next.

Pissed: let me count the ways.

The MA validation event was fine, and I sometimes actually believe I am good at this shit. Though I must learn to shut up in meetings. I can't help be feel that we were validating four MA programmes, or at the very least two with multiple pathways, but we are only getting paid for one. The early start on Friday meant I skipped the hotel breakfast, but that was no great loss. The station I needed appears to be situation a mile from the town it serves. The campus is rather more than the ten minutes' walk trhe map claims. Thankfully I found a bus.

Oh yes, Virgin. Half an hour late due to diversion via Northampton - but table facing direction of travel as booked was not seat against direction of travel. Given the comparative emptiness of the train, I should have moved.

Odeon Cinemas. Can you really justify charging £2.50 for a bottle of water? I will smuggle in in future, as I usually do. Coraline was pretty, especially the bit at the end of the credits. 3D is exhausting.

Liverpool One. Your shops are mostly dull. And I felt like a criminal for taking photos. I'm almost disappointed that you didn't try to stop me taking them. Your identikit nubuild hi street is dullsville.

New secondhand bookshop. Why are you in the electronic yellow pages if you aren't open yet? I suppose it isn't your fault that I got the map of Liverpool upside down, and so I'd set off in the wrong direction, then at ninety degrees, but.

Hotel - don't list the fact that your hotel is in a noisy area at the bottom of a long webpage. Let me know earlier so I don't book. More than three hours sleep a night would be nice, but failing that, three consecutive hours.

The good burgers of Liverpool: do you have to be so loud at 4am? Don't you know there's a credit crisis on? Do you really need laser beams until 3am?

FACT. It's a silly name. You need better signage pointing out the cinema is on the fourth floor.

Caffe Nerd kiosk on Liverpool Station. Do I not even get the option of a black Americano then?

Caffe Nerd kiosk on Victoria Station. When I asked for a large black Americano without any milk, your offer of milk was superfluous.

Tesco being closed. It's a nation-wide problem. (Maybe this is a sign. Given how many branches Liverpool have, I thought the whole world had been assimilated.)


Work. Let's not talk about work.

ETA: All the traffic lights being out on the way to work. Again
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