faustus: (Comedy)
( May. 13th, 2010 08:26 pm)
I await with interest how Private Eye satirises the ConDemmed years - it feels somewhere between The Odd Couple (Clegg as Jack Lemmon) and Ant and Dec (Cameron is the one who stands on the right, I think). I guess there was a fear that satire would have nothing to do in 1997 - we were sadly wrong - and we'll need it even more. Even if it achieves nothing.

I was talking about the 1997 Armando Ianucci 1997 election special the other night with someone who hadn't seen it (nor did I, I suspect, not just because I was in deepest darkest Northamptonshire) and realised the reason he didn't see it was that he was about 12. Ook. Then I had a panicked and checked - yes, I may have been older than the last two Doctors, but I am still younger than My Two PMs. (A sitcom?)



Meanwhile the one to look out for is Sayeeda Warsi, the Chairman of the Tories, who has expressed some er, views over the years.
faustus: (Angry)
( Oct. 16th, 2009 02:18 pm)
It is not a surprise that a Daily Hate Mail columnist has written an innuendo filled and unpleasant article over the death of a gay pop star. Their initial reportage was peppered with scare quotes over words such as partner and wedding and brother and friend and noted that various people (colleagues, family etc) were distraught. (No shit.)

What is a little surprising is how the online readership is responding to the story - http://www.dailymail.co.uk/femail/article-1220756/Why-natural-Stephen-Gatelys-death.html. Times they are a-changing.


ETA: One advertiser has removed their advert from the Mail's website, piles of complaints to the PCC and now Charlie Brooker: http://www.guardian.co.uk/commentisfree/2009/oct/16/stephen-gately-jan-moir


Moir meanwhile claims there's no undertones of homophobia to her comments.

ETA2:
Jan Moir responds to criticism of her Daily Mail article on Stephen Gately

"Some people, particularly in the gay community, have been upset by my article about the sad death of Boyzone member Stephen Gately. This was never my intention. Stephen, as I pointed out in the article was a charming and sweet man who entertained millions.

"However, the point of my column-which, I wonder how many of the people complaining have fully read - was to suggest that, in my honest opinion, his death raises many unanswered questions. That was all. Yes, anyone can die at anytime of anything. However, it seems unlikely to me that what took place in the hours immediately preceding Gately's death - out all evening at a nightclub, taking illegal substances, bringing a stranger back to the flat, getting intimate with that stranger - did not have a bearing on his death. At the very least, it could have exacerbated an underlying medical condition.

"The entire matter of his sudden death seemed to have been handled with undue haste when lessons could have been learned. On this subject, one very important point. When I wrote that 'he would want to set an example to any impressionable young men who may want to emulate what they might see as his glamorous routine', I was referring to the drugs and the casual invitation extended to a stranger. Not to the fact of his homosexuality. In writing that 'it strikes another blow to the happy-ever-after myth of civil partnerships' I was suggesting that civil partnerships - the introduction of which I am on the record in supporting - have proved just to be as problematic as marriages.

"In what is clearly a heavily orchestrated internet campaign I think it is mischievous in the extreme to suggest that my article has homophobic and bigoted undertones."




Undertones, no... [and my understanding is that the third party wasn't a stranger]
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Apparently E. Annie Proulx is being bombarded with fan fiction (it wouldn't exactly be slash) about Brokeback Mountain. See, for example, her reaction at here. Meanwhile, Giles Foden says "If Annie Proulx didn't object to the film of Brokeback, it's hard for her to object to the fan fiction", although the article which follows the headline doesn't explore that idea as such. Presumably the film had a nice juicy cheque attached, whereas the fan fiction didn't/

Apparently the rewriters don't get her message, which is to do with how you have to stand something if you can't fix it. I've not read the story; I'm less inclined to if that is the message. I've suffered the movie - another bloody gay gothic, although the death scene is curiously detached (I don't feel the sense of anguish as, say, I do with just reading about the death of Matthew Shepherd). I felt that we should be made to care more even if the characters themselves were prevented from doing so. I think Adam Mars-Jones offers the best commentary on the film I've read - "five steps forward, four steps back" - although why the subhead calls it a "deeply personal essay" I'm not sure.

Meanwhile, the re is plenty of poster art for bad ideas for sequels.
.

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