Humphrey Lyttelton played a concert at last year's festival but as it was in the Carbunkle it easily sold out; it should be in the Marlowe, I thought.

So last night I went to see Humph in the Marlowe. Row BB. Be careful what you wish for.

There was a very telling mix of ages when I saw Mitch Benn and Punt and Dennis at the Carbunkle - and it is that stripe of humanity known as the Radio 4 audience. (What's that line about "I don't know what effect they'll have on our enemy, but they sure as hell scare me"?) This, however, was not the same audience. I wasn't exactly the youngest person there. But the average age was clearly seventy-something.

The first half - of a hospice benefit gig - was something called The Ella Fitzgerald Songbook, which the deviser had performed over four hundred times in twenty years. This didn't seem like that often. This was soundbites about Ella interspersed with up to three singers interpreting Fitzgerald's versions of songs by Gershwin, Porter, Rodgers and so forth. None of them had the kind of voice that gets your hairs erect, but it was okay. I could have done without the audience's need to disucss their recognition of certain tracks, mind.

The second was Humph and his band, and a fine band it was. Humph mosttly played trumpet (I think there was also a clarinet at some point), and he has clearly been a great player. I think he was a victim of poor miking and poor acoustics which afflicted the first half. He told a few jokes, but nothing in the Sorry I Haven't A Clue league (Sample of his scripted double entendre: "Record researcher Samantha has made one of her customary visits to the gramaphone library, where she runs errands for the kindly old archivists, such as nipping out to fetch their sandwiches. There favourite treat is cheese with homemade chutney, but they never object when she palms them off with relish."] He did tell a Barry Cryer joke, mind:

A man walks into a bar and asks his mate: "Have You Ever Shoed a Horse?"

Punchline )

There are moments where - like Richard Ingrams, Boris Johnson and Professor Bob in my local - where it's hard to tell what is senility and what is performed. But pretty impressive, and I must get hold of some of his recordings.
Tags:
faustus: (culture)
( Oct. 26th, 2007 05:20 pm)
I had heard the name of Seth Lakeman before - I believe people wrote into deeF about his winning a folk award when he is clearly a) young, b) using amplification and c) more talented than them. Even so, I initially skipped over his name when flicking through the festival brochure. K recommended it, so I booked a ticket for him and the concert in the cathedral on Saturday (Humph was sold out). In fact I was lucky to get a ticket - fourth row back. I've been listening to the album Freedom Fields a reasonable amount, having found it in the HMV sale.

The support act was Sid Arthur, adequate I'd say, but they need a personality to fill a theatre stage. It reminded me a little of early Roy Harper, which I mean as a compliment.

Lakeman hit the stage running: heavy on the fiddle, singing at the same time, accompanied by his brother, Sean, mostly on accoustic guitar,  Ben Nichols on a big double bass and  Andy Tween on cymbal and wooden box, and later a drum kit. The sound mix wasn't the best, but it was very full for just four musicians. Sometimes less is more. 

I thought the audience was going to annoy me - you know that habit of audiences to clap along with music on talent shows irrespective of the tempo? It was like that. And no flash photograph includes mobile phones too, please. Grrr. Fortunately they didn't keep it up.

But the music was good stuff, and I need to seek out more - it was also entertaining seeing whether his bow would have any strings left by the end of the set.

Full orchestra tomorrow.

.

Profile

faustus: (Default)
faustus

Syndicate

RSS Atom

Most Popular Tags

Powered by Dreamwidth Studios

Style Credit

Expand Cut Tags

No cut tags