faustus: (seventies)
( Aug. 17th, 2010 12:34 pm)

84900 / 120000 words. 71% done!

I was thinking to myself, if I can just get that chapter done, I actually have a book. Not as broadranging as it might be, but a book.

But then I never seem to sit down and do the gay chapter, and I'm still with notes on Vietnam, and the New Wave needs coverage. Three chapters done in draft form is somehow less impressive...

The 35,000 words somehow translates to a dozen chapters. Ho hum.
faustus: (seventies)
( Aug. 14th, 2010 07:25 pm)

83300 / 120000 words. 69% done!

I appear to have written 2,000 words since this time yesterday, which is a bit of a relief but is inevitably behind schedule. I have 500 words on Downwards to the Earth on another machine, and I'm hoping I can get a couple of hundred words on Strangers and Dying Inside to complete that chunk, and then it's gird loins to write less than I thought on the Planet of the Apes movies. ("Black people! They're just like monkeys!".) I haven't seen the tv series, mind. There's eleven hours of my life I won't get back. Then there's the cartoon.

I need a speedy reread of Triton and then I can put the first draft of this chapter to one side. There is rather too much history from memory - I need a decent history of American 1800-1970 to pin facts down with.
faustus: (seventies)
( Aug. 11th, 2010 12:43 am)
So tonight, seasonally adjusted to allow for bibliography, I hit the two thirds mark, 80,000 words (which is two to three weeks behind schedule).


80000 / 120000 words. 67% done!


However, and it is a big however, the chapters are coming in l-o-n-g. I've almost finished the feminism chapter - I still need to cover Khatru, and I'd hoped to cover Dworkin and pornography as a way into Angela Carter, although she seems now destined for the pomo chapter - but that's 9000 words long, or 3000 words longer than it ought to be. Either I need to wield a blue pencil rather savagely, or I need to decant most of CJ Cherryh to another chapter (there is a logical place, but I've written about her in terms of gender and it belongs here). Strip out plot summary - but how do you talk without the plot? Perhaps I need to accept it's going to be long.


And I'm still discovering stuff that is meant to be important which I hadn't heard of - a few more women, some Mack Reynolds... the North African novels. Bum. I already have more than I can hope to read, and yet... Those two Wells sequels need to be tracked down. And I've got to start making a dent on the tv.
I have been reading, just not the books on this list... Three down. I'm hoping two days in Chichester will help the count, but actually four of those are Octavia Butler's work, not on the list...

Reading list
cut for sanity )




76200 / 120000 words. 64% done!

faustus: (seventies)
( Jul. 28th, 2010 10:49 pm)
I've not done a wordcount for a while - as work has largely been on a virtual level, but inching forward. I fear I may have to sacrifice reading or reading every book I write about or cut down the reading list. It begins to look like a tight squeeze - the ecology chapter looks likely to burst, and the feminism chapter, with Tiptree and Khatru still to cover, is 7000+ when it needs to be 5800.There will be trimming, but this is overshot. I may have to find somewhere else for Pamela Sargent; Butler is already elsewhere, as will be Joan Vinge, Elizabeth Lynn, Patricia McKillop, Andre Norton, Marion Zimmer Bradley and Leigh Brackett.


74300 / 120000 words. 62% done!
CXIII-CXIV: Suzy McKee Charnas, Walk to the End of the World / Motherlines )

Thinking aloud: Is it because I am a man that I never quite find representations of separatism comfortable? I wonder if I feel it's a cop out? I don't think it's a fear of a loss of my power, but then I cannot see entirely beyond white male privilege. I can see why women-only spaces are desirable, which is big of me, I know, although the intricacies of sex and gender may undercut these. Turn about is fair play.

I've been rereading Larry Townsend's 2069 (1969) in preparation for the rest of the trilogy which is from the 1970s, and the anti-woman stuff is appalling, as he describes a more homophile universe. I suspect representations of separatism replicate patriarchy's essentialism, albeit with a shift of agency. Motherlines does it better than The Wanderground, but is more of a traditional novel.
faustus: (cinema)
( Jul. 19th, 2010 02:05 pm)
So I am now infinitely more tired than I was twelve hours ago, sleep arriving some point around 4.15, no thanks to the gulls, nor to Tilda, who decided I needed some loving. I've had a run of 2am bedtimes; maybe 1am is too ambitious. I was awoken by the smell of fresh bread - which I'd started in motion some point around 4am.

Still, a productive morning, as kohlrabi soup is underway, I have written another thousand words (seasonally adjusted word count is 71,500, giving an eta of 24 October, a fortnight or so later than before) and I have watched:

LXXIII: Phase IV (Saul Bass, 1974) )


Totals: 73 (Cinema: 18; DVD: 43; Video: 1; TV: 11)


Meanwhile, is that really all there is on Elgin's Coyote Jones? E.L. Chapman, "Sex, Satire, and Feminism in the Science Fiction of Suzette Haden Elgin"? Lefanu skips over, nothing in On Joanna Russ, not in Demand the Impossible, not Aliens and Others. Odd reviews. Adds to growing to write list.
faustus: (seventies)
( Jul. 19th, 2010 03:44 am)
Forgot two:

CX: Leigh Brackett, The Hounds of Skaith
CXI: Leigh Brackett, The Reavers of Skaith

Two late novels, the conclusion of the Eric John Stark (or is it John Eric Stark?) trilogy begun with The Ginger Star. I can't say this science fantasy/planetary romance does much for me.


CXII: Barry Malzberg, Phase IV )

I have put flour and stuff in the breadmaker, in the hope of having a breakfast to sleep through.
faustus: (cinema)
( Jul. 18th, 2010 09:53 pm)
Catch up, no doubt missing stuff:

LX: Slutty Summer (Casper Andrea, 2005) - dull gay indie
LXI: Shock to the System (Ron Oliver, 2006) - enjoyable crime TVM
LXII: 3-Day Weekend (Rob Williams, 2008) - away for the weekend in ski lodge comedy
LXIII: Mr Brooks (Bruce A. Evans, 2007) - Kevin Costner is highly recommended movie shock - as is Demi Moore. Go rent. Now.
LXIV: It's Alive (Larry Cohen, 1974) - baby horror
LXV: It Lives Again (Larry Cohen, 1978) - son of baby horror
LXVI: It's A Wonderful Afterlife (Gurinda Chada, 2010) - Ealing style comedy with Asian twist, the funniest bit being a pointless Carrie homage
LXVII: Four Lions (Chris Morris, 2010) - Ealing style comedy with Jihad twist, go see - although London looks rather like Sheffield
LXVIII: Kung Fu Hustle (Stephen Chow, 2004) - the sort of film Tarantino tries but fails to make - barking but brilliant
LXIX: The Kid Stays in the Picture (Nanette Burstein and Brett Morgen, 2002) - talking book, with pictures; Robert Evans's autobiography
LXX: Herbie Goes To Monte Carlo (Vincent McEveety, 1977) - VW falls in love and evades evil diamond thieves
LXXI: Herbie Rides Again (Robert Stevenson, 1974) - VW evades evil property development corporation
LXXII: Herbie Goes Bananas (Vincent McEveety, 1980) - VW evades evil archeologists

Totals: 72 (Cinema: 18; DVD: 43; TV: 11)
faustus: (seventies)
( Jul. 18th, 2010 05:14 pm)
Catch up time (and not necessarily in this order or a complete listing):

XCI: D.G. Compton, Chronocules
XCII: D.G. Compton, A Usual Lunacy
XCIII: Michael Coney Sysygy
XCIV: Michael Coney Mirror Image
XCV: Michael Coney Brontomek!
XCVI: Michael Coney Charisma
XCVII: Christopher Priest, A Dream of Wessex
XCVIII: Christopher Priest, Fugue for a Darkening Isle
XCIX: K.W. Jeter, Seeklight
C: K.W. Jeter, The Dreamfields
CI: K.W. Jeter, Morlock Night
CII: Suzette Haden Elgin, The Communipaths
CIII: Suzette Haden Elgin, Furthest
CIV: Suzette Haden Elgin, At the Seventh Level
CV: Suzette Haden Elgin, Star-Anchored, Star-Angered
CVI: H.G. Wells, The Island of Doctor Moreau
CVII: Brian Aldiss, Moreau's Other Island
CVIII: Barry Malzberg, The Sodom and Gomorrah Business
CIX: Barry Malzberg, Revelations
faustus: (Culture)
( Jul. 18th, 2010 01:07 pm)
I'm not sure how to recover from a three day conference in insufferable heat,* but last week was not the way to do it. I so need to get back to reading and watching seventies stuff, but this week I had to read and comment on a PhD thesis, and ponder whether the c and related p words are appropriate discourse for a thesis which is, after all, about people who display their [thank yous] for a living. Why so coy? If you can talk about it, you can use the word. I just have a vision of startled horses.

And editing prose, that of others', I seem to have had a fetish for eliminating the repetition of any word bar "of", "an", "a" or "the" in a sentence. And ideally between consecutive sentences. But then that collides with rhetorical flourishes. On the other hand, there should be a limit to how many time the word "which" can be used in a sentence (even allowing for the fact that there are mysterious, Atlantic-differentiated, rules for when it ought to be "that").

Then there was the summer school, which was advertised as being on comedy and gender, but the organiser had been confused by my consistent use of the phrase "comedy and race". The kids were actually quite smart, although apparently the solution for racism is for the butts of it to get over it. Chiz. Interestingly, whilst the black man's cock joke of The Office (see here) was not felt to be racist, the unknowable intention of Black People Love Us was.

Oh, and note to self, if you feel a sympathique with someone, at least think to get their name. It makes stalking them so much easier.

Meanwhile, I appear to be acquiring conferences - although I'll think twice about the big vampire one. Part of the operating strategy might be to push forward the comedy research (and I had a word with the supplier to my dealer, last night). Having thought through what to do with a conference on memory and quite liking the suggestion of Life on Mars, I have mysteriously acquired a copy of The Nature of Nicholas (thanks to tilo) without giving credit cards details to a firm specialising in adult and naturist films; in the mean time someone whispered another title in my ear in a different context, and that also does the seventies thing for me. Result.

Now to find a night where I get to bed earlier than 2am.



* One solution involves a bar, and a monologue punctuated by "and another thing...". Catharsis is us.
Let's put the to write to one side for now - headed for the halfway point on the book; have read a goodly deal, a goodly deal to read.

Reading list
cut for sanity )



July offers a potential double bill of Sex and the City 2 and Bad Lieutenant. Boggle, boggle

faustus: (seventies)
( Jun. 9th, 2010 12:28 pm)
1970s Disney Films. Rather more than I realised. Some of them I have seen. Even in the last thirty years. I thought having to acquire a copy of The Many Adventures of Winnie the Pooh was going to be traumatic enough. I hate having to reach for secondary sources but... I remember the Herbie films and The Strongest Man in the World, even have the novelisation somewhere, but... I am going to have to scour charity shop videos in children's sections.

1970 The Aristocats
1971 Bedknobs and Broomsticks
1971 The Barefoot Executive
1971 The Million Dollar Duck
1972 The Biscuit Eater (May bear comparison with A Boy and his Dog)
1972 Now You See Him, Now You Don't
1973 Robin Hood
1973 Charley and the Angel
1974 Herbie Rides Again
1974 The Island at the Top of the World
1975 The Strongest Man in the World
1975 Escape to Witch Mountain
1976 Freaky Friday
1976 The Shaggy D.A.
1977 The Many Adventures of Winnie the Pooh
1977 The Rescuers
1977 Pete's Dragon
1977 Herbie Goes to Monte Carlo
1978 Return from Witch Mountain
1978 The Cat From Outer Space
1979 Unidentified Flying Oddball/The Spaceman and King Arthur
1979 The Black Hole
faustus: (seventies)
( Jun. 7th, 2010 05:35 pm)
It all feels like I'm not achieving enough - which is a familiar OCD complaint, so I'm not sure if it's valid. I have finished a novel and watched a film today though, so the tiptoeing continues. I am worried about three trips to London and one to York before the end of the month, but at least these offer several hours' reading time if I can focus on the train.

On Saturday, I needed to get out of the post code, so I went to Faversham with a friend in the morning. I had checked in advance to discover the book fair, but took that as omen rather than an invitation. It's a very familiar set of stock, and is dullsville. This it proved. We had a quick look in the bookshop on Preston St, Books of Faversham, which keeps erratic hours, and nothing jumped out as a purchase, then looked round the market, and shot down to Past Sentence, where I picked up half a dozen items which I needed, and failed to buy Andromeda, one of those books I seem to wrongly assume I have. I got two follow-ups though, and a new copy of The Atrocity Exhibition to replace a lent one. If it hadn't have been so hot I might have hung round to do tourist stuff, but instead I bought cheese (a Kentish brie and a goat's cheese) and a pork shoulder to slow roast, before hitting the train back to the pub.


LXXXVII: William S. Burroughs, Blade Runner (A Movie) (1979) )

LXXXVIII: Michael Moorcock, Breakfast in the Ruins (1972) )

LXXXIX: D.G. Compton, The Electric Crocodile (1970) )

XC: D.G. Compton, The Missionaries (1972) )


Word count:


50100 / 120000 words. 42% done!

I notice many of my sections begin "[subject] is also explored in [title of text]." I must edit these down.
faustus: (seventies)
( Jun. 2nd, 2010 10:52 am)
My sleep pattern is shot again, and the news is depressing. I see Henning Mankell was on the flotilla intercepted by the Israeli. The Israeli state depresses me, especially in the dealings with Palestine. Every time I hear an Israeli spokesperson it turns out that it wasn't their fault, and it was some bastard doing it to them. Sometimes it must be their fault. I gather that it would all come down to proportionality as the flotilla was in international waters; it didn't look or sound proportional to me. Meanwhile, reading old newspapers, I see it was David Laws who didn't appear on Question Time due to Alastair Campbell appearing to promote his new book represent Labour. I wonder if we were spun on the excuse, given the story which then broke?


Some reading on Robert Silverberg - all Extrapolation so far - and a cheat count...

LXXXV: Heinrich von Kleist, "Michael Kohlhaas (From an old chronicle)" (1810) )

LXXXVI: Robert Silverberg, Lord Valentine's Castle (1980) )
faustus: (seventies)
( Jun. 1st, 2010 12:36 am)
Curiously, a couple of days away in Chichester gave more reading opportunities than staying at home - three hours on a train with nice, ten minute connections one way (a train waiting at Tonbridge), three and a half hours back (a generous half hour at Redhill, and a nerve wracking four minutes at Tonbridge).

If I were really insane, I could do it as an offpeak day trip even in the week - in Chichester for just gone one, lunch in The Fountain, peruse of Kim's Bookshop, two hours in the gallery, maybe a circumambulation of the walls, back to the station for about six. A Saturday would add hours according to how early I could rise. Return fare avoiding London, with Network Card £13.20. Bargain.

I note that I've never really read Robert Silverberg. I can think of no reason why - I am rereading Lord Valentine's Castle, which I see I was bought for my sixteenth birthday for reasons which escape me, but I never got on with the subsequent volumes. I might have tried his novel of Nightfall. Which may be reason enough. Oddly, a couple of times I thought "How heteronnormative", only for a reference to homosexual to occur. Still, the plots are about men, and there's a quivery attitude to race.

LXXXII: Robert Silverberg, Dying Inside (1972) )


LXXXIII: Robert Silverberg, The World Inside (1971) )


LXXXIV: Robert Silverberg, Tower of Glass (1970) )
faustus: (seventies)
( May. 28th, 2010 01:36 am)
More about Yes Prime Minister and Henry Goodman and David Haig channeling the late great Nigel Hawthorne and Paul Eddington later, indeed more on John Tunnard. I am excited about rumours of a Frida Kahlo exhibition. I saw a copy of Love Labours Lost, but it didn't meet the £2 rule, nor am I sure that I don't have the Arden edition. I did find a copy of Dying Inside Robert Silverberg.

LXXIX: Barry Malzberg, Overlay (1972) )

LXXX: Robert Silverberg, A Time of Changes (1971) )

LXXX: Robert Silverberg, Downward to the Earth (1970) )
.

Profile

faustus: (Default)
faustus

Syndicate

RSS Atom

Most Popular Tags

Powered by Dreamwidth Studios

Style Credit

Expand Cut Tags

No cut tags