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  <title>Why This Is Hell</title>
  <link>https://faustus.dreamwidth.org/</link>
  <description>Why This Is Hell - Dreamwidth Studios</description>
  <lastBuildDate>Tue, 27 Sep 2011 20:14:27 GMT</lastBuildDate>
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    <url>https://v2.dreamwidth.org/90269/124918</url>
    <title>Why This Is Hell</title>
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  <guid isPermaLink='true'>https://faustus.dreamwidth.org/409200.html</guid>
  <pubDate>Tue, 27 Sep 2011 20:14:27 GMT</pubDate>
  <title>We Are on the Verge of a New Era, If Only Part II</title>
  <link>https://faustus.dreamwidth.org/409200.html</link>
  <description>I spent half an hour going through the book this afternoon, looking for the key word - although it took a while to find the Googlebooks edition. (There&apos;s a Scribd one, but it doesn&apos;t seem searchable.) I have some juicy quotations, and found even more when I searched for another word. I like my quotes.&lt;br /&gt;&lt;br /&gt;The trick now is to make sure the texts I&apos;ll be writing about fit them.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I can&apos;t help but feel it&apos;s the wrong way round...&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=409200&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/409200.html</comments>
  <category>research</category>
  <category>indoor work with no heavy lifting</category>
  <category>reading</category>
  <lj:mood>onnaroll</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/409013.html</guid>
  <pubDate>Tue, 27 Sep 2011 15:20:26 GMT</pubDate>
  <title>We Are On the Verge of a New Era, If Only</title>
  <link>https://faustus.dreamwidth.org/409013.html</link>
  <description>There&apos;s been something percolating for years, and it involves estrangement and the uncanny. And I keep thinking that there&apos;s something to be said for throwing an incredulity against metanarratives (&amp;copy; JF Lyotard) in the general direction of cognition, especially as I noticed the phrase cognitive mapping (&amp;copy; Fredric Jameson).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The way I tend to work is that I convince myself that there is a connection between a and b, and then do the the research to prove it, finding everything slotting into place. It can take years. It makes abstracts high risk articles of faith.&lt;br /&gt;&lt;br /&gt;My hinge for a current article (which I shouldn&apos;t write yet, but I need a CFP abstract, and will deliver a forty minute version in March) is a certain four letter word, which I&apos;ve seen quoted from a classic work by a well-known continental philosopher. Only the quotations either lacked page numbers, or didn&apos;t match up. The book is on Google books, but I realise its pages don&apos;t match the real book. There are two editions - and possibly therefore two translations, albeit by the same person. I have been largely failing to locate the four letter word in the physical version, but have found some suggestive lines on [redacted].&lt;br /&gt;&lt;br /&gt;At some point I need to read the same author&apos;s book on the uncanny (and other issues).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I cheated, by getting a book on the given philosopher, whose title contains the four-letter word, and the conceit I am wishing to use, except that the latter is being used in a different sense from the way I am using it, although I think the two will connect up. And connect to the uncanny. And I think it only appropriate. But he&apos;s taken a hundred pages to cover the ground from Hegel to my man, large discussing people I&apos;ve never heard of and using words like symploke.* I feel another digression coming on before he gets there. I am not heartened by the lack of times he uses the four-letter word I am looking for, either....&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I may at the end of this have a new general theory of science fiction, but don&apos;t start holding your breath just yet.&lt;br /&gt;&lt;br /&gt;Of course, I need to read a pile of novels to apply the ideas. Details....&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;* The combination of anaphora and epistrophe, as eny fule kno.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=409013&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/409013.html</comments>
  <category>reading</category>
  <category>research</category>
  <category>indoor work with no heavy lifting</category>
  <lj:mood>flabbered</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/389428.html</guid>
  <pubDate>Wed, 18 May 2011 09:49:06 GMT</pubDate>
  <title>Situation Normal</title>
  <link>https://faustus.dreamwidth.org/389428.html</link>
  <description>&lt;b&gt;The 50 SF Books You Must Read @ Forbidden Planet&lt;br /&gt;forbiddenplanet.com&lt;br /&gt;Think you know SF? Sure? Our experts have picked the top 50 SF books that you absolutely have to read! Challenging? Confusing? Contentious? Conforntational? Then comment!&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://forbiddenplanet.com/picks/50-sf-books-you-must-read/&quot;&gt;http://forbiddenplanet.com/picks/50-sf-books-you-must-read/&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I can&apos;t access this on my computer, bloody modem, but can on my phone and 49th on the list is &lt;i&gt;Zoo City&lt;/i&gt; - but can you guess what the other three books by women are? Given the inability to spell confrontational, can they spell each of these three titles correctly?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;And another list of fifty that can&apos;t count.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=389428&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/389428.html</comments>
  <category>reading</category>
  <category>science fiction</category>
  <category>feminism</category>
  <lj:mood>tut</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>3</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/383651.html</guid>
  <pubDate>Wed, 23 Mar 2011 00:27:48 GMT</pubDate>
  <title>So Does Gove Read Fifty Books a Year?</title>
  <link>https://faustus.dreamwidth.org/383651.html</link>
  <description>&lt;a href=&quot;http://www.guardian.co.uk/books/2011/mar/22/gove-50-books-children-laureate&quot;&gt;http://www.guardian.co.uk/books/2011/mar/22/gove-50-books-children-laureate&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=383651&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/383651.html</comments>
  <category>politics</category>
  <category>reading</category>
  <lj:mood>aggravated</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/380436.html</guid>
  <pubDate>Sat, 19 Feb 2011 17:07:44 GMT</pubDate>
  <title>2011 Reading 11-14</title>
  <link>https://faustus.dreamwidth.org/380436.html</link>
  <description>&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/380436.html#cutid1&quot;&gt;11: Gerard 0&apos;Neill, The High Frontier&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___2&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/380436.html#cutid2&quot;&gt;12: Roald Dahl, Charlie and the Great Glass Elevator&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___2&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___3&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/380436.html#cutid3&quot;&gt;13: Jan Mark, The Ennead&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___3&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___4&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/380436.html#cutid4&quot;&gt;14: Joan Vinge, The Snow Queen&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___4&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=380436&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/380436.html</comments>
  <category>book reviews</category>
  <category>2011 books</category>
  <category>reading</category>
  <lj:mood>literate</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/375945.html</guid>
  <pubDate>Tue, 25 Jan 2011 23:12:09 GMT</pubDate>
  <title>2011 Reading IX-X</title>
  <link>https://faustus.dreamwidth.org/375945.html</link>
  <description>&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/375945.html#cutid1&quot;&gt;IX: Barry Malzberg, The Men Inside (1973)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___2&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/375945.html#cutid2&quot;&gt;X: Charles Platt, The Gas (1970, 1980)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___2&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=375945&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/375945.html</comments>
  <category>book reviews</category>
  <category>barry n. malzberg</category>
  <category>reading</category>
  <category>2011 books</category>
  <lj:mood>literate</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/375618.html</guid>
  <pubDate>Tue, 25 Jan 2011 13:32:46 GMT</pubDate>
  <title>2011 Reading I-XVIII</title>
  <link>https://faustus.dreamwidth.org/375618.html</link>
  <description>Let&apos;s see if I can keep on top of this. I need a separate file...&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/375618.html#cutid1&quot;&gt;I: Alfred Bester, Extro (1975)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___2&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/375618.html#cutid2&quot;&gt;II: Alfred Bester, Golem100 (1980)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___2&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___3&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/375618.html#cutid3&quot;&gt;III: Susan Cooper, The Dark is Rising (1973)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___3&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___4&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/375618.html#cutid4&quot;&gt;IV: Susan Cooper, Greenwitch (1974)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___4&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___5&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/375618.html#cutid5&quot;&gt;V: Gore Vidal, Kalki (1978)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___5&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___6&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/375618.html#cutid6&quot;&gt;VI: Robert O&apos;Brien, Mrs Frisby and the Rats of NIMH (1972)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___6&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___7&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/375618.html#cutid7&quot;&gt;VII: Brian Earnshaw, Dragonfall 5 and the Royal Beast (1972)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___7&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___8&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/375618.html#cutid8&quot;&gt;VIII: John Brunner, Total Eclipse (1974)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___8&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=375618&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/375618.html</comments>
  <category>book reviews</category>
  <category>2011 books</category>
  <category>reading</category>
  <lj:mood>literate</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/375378.html</guid>
  <pubDate>Sat, 22 Jan 2011 21:37:34 GMT</pubDate>
  <title>2010 Reading CXXXVI</title>
  <link>https://faustus.dreamwidth.org/375378.html</link>
  <description>A listing, I fear, and I&apos;ll add to this if I recall anything else...&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;CXXXVI: John Brunner, &lt;i&gt;The Shockwave Rider&lt;/i&gt;&lt;br /&gt;CXXXVII: John Brunner, &lt;i&gt;The Jagged Orbit&lt;/i&gt;&lt;br /&gt;CXXXVIII: Susan L. # Aberth, &lt;i&gt;Leonora Carrington - Surrealism, Alchemy and Art&lt;/i&gt;&lt;br /&gt;CXXXIX: Stefan van Raay, Joanna Moorhead and Teresa Arcq, &lt;i&gt;Surreal Friends: Leonora Carrington, Remedios Varo and Kati Horna&lt;/i&gt;&lt;br /&gt;CXL: Robert Holdstock, &lt;i&gt;Eye Among the Blind&lt;/i&gt;&lt;br /&gt;CXLI: Garry Kilworth, &lt;i&gt;In Solitary&lt;/i&gt;&lt;br /&gt;CXLII: &lt;s&gt;Robert Holdstock&lt;/s&gt; Garry Kilworth, &lt;i&gt;The Night of Kadar&lt;/i&gt;&lt;br /&gt;CXLIII: Len Deighton, &lt;i&gt;SS-GB&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;I&apos;m sure there&apos;s more...&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=375378&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <category>book reviews</category>
  <category>2010 books</category>
  <category>reading</category>
  <lj:mood>literate</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/358255.html</guid>
  <pubDate>Mon, 11 Oct 2010 13:49:27 GMT</pubDate>
  <title>To Bollock Stoans and Beyond</title>
  <link>https://faustus.dreamwidth.org/358255.html</link>
  <description>The Anifest kept me indoors for most of Saturday, aside for a brief period of reading on the balcony of Albatross House and an hour in Caffe Nerd, so I was afraid the weather would be against me on Sunday. As things turned out, it stayed clear, and I headed east, pausing for a discount brand store. I fancied Widders Bel, but the coffee is better in The Ram, and I was at the mercy of whichever bus turned up first.&lt;br /&gt;&lt;br /&gt;They came at the same time - but Widders Bel was a better bet, transport wise. Up north we went, and there is indeed an original for Bollock Stones, outside Horney Boy. I was thinking about potential for walking - but if I went to Reakys Over I&apos;d have to go back as well. Next time. Eventually I ended up in Widders Bell.&lt;br /&gt;&lt;br /&gt;The tide, fpor once, was in, but no swimming gear. Ho hum. Browsed the market, had an ice cream, hit the cheese shop. An Ashmore Cobble and a local Brie, and a lovely goats cheese. Yum. I clearly have a pusher there. Then the bookshop - nothing I wanted, thankfully - and a walk down the high street to the second hand shop. Yes, the very Quintan Jardine I bought on Friday and a pound cheaper. Damn. No more, though. A John Connolly I don&apos;t have, but I&apos;ll need to wait for a book tidy to track down where the intervening volumes I&apos;ve yet to read are. And thence to Costa, for a coffee and a read in their garden. Bliss.&lt;br /&gt;&lt;br /&gt;But a shame just to sit - so I set out along the Saxon Shore Way, past Peter Cushing&apos;s house, across the golf course and over the railway. A tad inland. All too soon half an hour was up, after about thirty minutes in fact, and I turned off the way to Joy Road and past Valkyrie Avenue to discover a bus stop which would take me back to Cambry.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=358255&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/358255.html</comments>
  <category>coffee</category>
  <category>expotitions</category>
  <category>reading</category>
  <lj:mood>cheerful</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/354241.html</guid>
  <pubDate>Sat, 11 Sep 2010 09:00:56 GMT</pubDate>
  <title>2010 Reading CXXXII-CXLIV</title>
  <link>https://faustus.dreamwidth.org/354241.html</link>
  <description>I forgot to crosspost this&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/354241.html#cutid1&quot;&gt;CXXXII: Kate Wilhelm, The Clewiston Test (1976)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___2&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/354241.html#cutid2&quot;&gt;CXXXIII: Richard Brautigan, The Abortion: An Historical Romance 1966 (1971)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___2&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___3&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/354241.html#cutid3&quot;&gt;CXXXIV: Richard Brautigan, Dreaming of Babylon: A Private Eye Novel 1942 (1977)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___3&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___4&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/354241.html#cutid4&quot;&gt;CXXXV: Italo Calvino, Invisible Cities (1972)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___4&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___5&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/354241.html#cutid5&quot;&gt;CXXXVI: Barry Malzberg, The Day of the Burning (1974)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___5&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___6&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/354241.html#cutid6&quot;&gt;CXXXVII: David Gerrold, Space Skimmer (1972)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___6&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___7&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/354241.html#cutid7&quot;&gt;CXXXVIII: Doris Piserchia, Earthchild (1977)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___7&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___8&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/354241.html#cutid8&quot;&gt;CXXXIX: Ernest Callenbach, Ecotopia (1975)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___8&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___9&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/354241.html#cutid9&quot;&gt;CXL: Robert Silverberg, The Book of Skulls (1972)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___9&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___10&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/354241.html#cutid10&quot;&gt;CXLI: Charles Platt, The City Dwellers (1970)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___10&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___11&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/354241.html#cutid11&quot;&gt;CXLII: Larry Niven and Jerry Pournelle, The Mote in God&apos;s Eye (1974)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___11&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___12&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/354241.html#cutid12&quot;&gt;CXLIII: Larry Niven and Jerry Pournelle, Lucifer&apos;s Hammer (1977)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___12&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Okay, so there seem to be a whole number of 1970s sf narratives about asteroids/comets/meteors hitting or nearly hitting the Earth (&lt;i&gt;Rama&lt;/i&gt;, &lt;i&gt;Lucifer&apos;s Hammer&lt;/i&gt;, &lt;i&gt;In the Ocean of the Night&lt;/i&gt;, &lt;i&gt;The Hermes Whatsit&lt;/i&gt;, &lt;i&gt;Meteor&lt;/i&gt;, among others). Why then? The dinosaurs wiped out by asteroid theory (Alverez et al) appears to be 1980, and there&apos;s already tracking agencies by the mid-1960s. But what triggered all these stories (albeit not the first, but a rash of them)? Was it a meteor visible above the US in August 1972? Tunguska publicity?&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___13&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/354241.html#cutid13&quot;&gt;CXLIV: Thomas Pynchon, Gravity&apos;s Rainbow (1973)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___13&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=354241&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/354241.html</comments>
  <category>that seventies thing</category>
  <category>david gerrold</category>
  <category>reading</category>
  <category>barry n. malzberg</category>
  <category>2010 books</category>
  <category>richard brautigan</category>
  <lj:mood>literate</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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  <guid isPermaLink='true'>https://faustus.dreamwidth.org/353733.html</guid>
  <pubDate>Sat, 11 Sep 2010 07:42:12 GMT</pubDate>
  <title>Resolutions Revisited: August</title>
  <link>https://faustus.dreamwidth.org/353733.html</link>
  <description>I appear to have forgotten to do this for July. Ooops.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Ah well.&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/353733.html#cutid1&quot;&gt;That To Read List&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I&apos;m cheating on &lt;i&gt;Gravity&apos;s Rainbow&lt;/i&gt; - I have 80 pages to go, and coffee to drink this am. Is it just me, or does this look doable? The madness sets in.&lt;br /&gt;&lt;br /&gt;Drum roll:&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.languageisavirus.com/nanowrimo/word-meter.html&quot; target=&quot;_blank&quot; title=&quot;NaNoWriMo writing toys games &amp;amp; gadgets&quot;&gt;&lt;div style=&quot;width:200px;height:15px;background:#FFFFFF;border:1px solid #000000;&quot;&gt;&lt;div style=&quot;width:76%;height:15px;background:#0033FF;font-size:8px;line-height:8px;&quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;91200 / 120000 words. 76% done!&lt;br /&gt;&lt;br /&gt;I&apos;ve done a little bit of trimming, as the chapters are still coming in long even after losing a whole chapter, so I have written more than that would suggest. There&apos;s a fluidity created by the bibliography, so I&apos;m not doing deep trimming yet. But there are some stark choices when I realise that I only have 900 words for &lt;i&gt;Doctor Who&lt;/i&gt;, 700 for &lt;i&gt;Blake&apos;s Seven&lt;/i&gt; and I still have to deal with Anderson (I&apos;ve squeezed in an obscure series, if only because it has a character named Blake... I am still convinced there is a link from William to Roj, but I haven&apos;t spotted it yet.) Darling of the Month: &quot;The UNIT narratives provided Britain with a role in world affairs without anyone having to go overseas (although occasionally they did get to leave the planet).&quot; &lt;br /&gt;&lt;br /&gt;Meanwhile I will have to write up the Leuven paper for the collection, discover whether I&apos;m still doing another chapter for a new companion and need to sort out some comedy research.&lt;br /&gt;&lt;br /&gt;Into deeper time: there is a potential book contract for next year if I sit down and do a proposal (next week?) and I appear to have had the idea for the next book, something which has been hovering around my head since about 2003, and which is not on comedy. If I&apos;m smart I&apos;ll work out how to do articles which would be the building blocks of it, although I can see how the so-what may well come into play for sections. I definitely need to sit down and down a comedy article. Meanwhile I spy three areas that would repay articles from the seventies materials unused. No rest for the idle.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=353733&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/353733.html</comments>
  <category>that seventies thing</category>
  <category>indoor work with no heavy lifting</category>
  <category>research</category>
  <category>resolutions</category>
  <category>reading</category>
  <lj:mood>progressing</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/352049.html</guid>
  <pubDate>Fri, 20 Aug 2010 11:58:19 GMT</pubDate>
  <title>2010 Reading CXXI-CXXXI</title>
  <link>https://faustus.dreamwidth.org/352049.html</link>
  <description>Catch up!&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/352049.html#cutid1&quot;&gt;CXXII: Brian Aldiss, Frankenstein Unbound (1973)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt; &lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___2&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/352049.html#cutid2&quot;&gt;CXXIII: Octavia Butler, Patternmaster (1976)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___2&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt; &lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___3&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/352049.html#cutid3&quot;&gt;CXXIV: Octavia Butler, Mind of My Mind (1977)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___3&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt; &lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___4&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/352049.html#cutid4&quot;&gt;CXXV: Octavia Butler, Survivor (1978)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___4&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt; &lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___5&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/352049.html#cutid5&quot;&gt;CXXVI: Octavia Butler, Wild Seed (1980)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___5&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___6&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/352049.html#cutid6&quot;&gt;CXXVII: Vonda McIntyre and Susan Janice Anderson, eds, Aurora: Beyond Equality (1976)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___6&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt; &lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___7&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/352049.html#cutid7&quot;&gt;CXXVIII: James Tiptree, Out of the Everywhere and Other Extraordinary Visions (1981)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___7&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt; &lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___8&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/352049.html#cutid8&quot;&gt;CXXIX: M John Harrison, The Pastel City (1971)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___8&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt; &lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___9&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/352049.html#cutid9&quot;&gt;CXXX: Samuel R. Delany, Triton (1976)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___9&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt; &lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___10&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/352049.html#cutid10&quot;&gt;CXXXI: Brian Aldiss, Enemies of the System (1978)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___10&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=352049&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/352049.html</comments>
  <category>2010 books</category>
  <category>reading</category>
  <category>m. john harrison</category>
  <category>samuel r delany</category>
  <category>book reviews</category>
  <category>james tiptree jr</category>
  <lj:mood>literate</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/351565.html</guid>
  <pubDate>Thu, 19 Aug 2010 00:07:42 GMT</pubDate>
  <title>Porgess</title>
  <link>https://faustus.dreamwidth.org/351565.html</link>
  <description>Or, getting real.&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.languageisavirus.com/nanowrimo/word-meter.html&quot; target=&quot;_blank&quot; title=&quot;NaNoWriMo writing toys games &amp;amp; gadgets&quot;&gt;&lt;div style=&quot;width:200px;height:15px;background:#FFFFFF;border:1px solid #000000;&quot;&gt;&lt;div style=&quot;width:73%;height:15px;background:#0033FF;font-size:8px;line-height:8px;&quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;87300 / 120000 words. 73% done!&lt;br /&gt;&lt;br /&gt;I seem to have written 2,500 words today, mostly on Vietnam. &lt;br /&gt;&lt;br /&gt;Edging towards a darling: &quot;Why Are We in Vietnam? asks Norman Mailer. Because we were always already there.&quot;&lt;br /&gt;&lt;br /&gt;Unused citation of the day: “Trees are trees in their own right.&quot;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;What were they thinking quotation of the day: &quot;[the novel] might have been put together by a committee composed of Ursula Le Guin, Anne McCaffrey and Joanna Russ, with a little help from Ms Delany.” I think I count three knives there, but I may misunderestimate.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I&apos;ve also been dividing the remaining chapters into chunks with word counts to try and keep chapter word counts to six thousand. (What I really need to hope is that I&apos;ve overestimated the bibliography word count, because stuff can go in.) It&apos;s scary how little will fit in, especially given how long the reading list still is. The Where Next For the New Wave looks like it will be a male-only ghetto; Pamela Zoline&apos;s timing seems likely to be off, Carter would be specially pleading; is this where Emma Tennant ends up? But she needs to be after feminism is dealt with. Le Guin and Russ already have homes elsewhere, so I can&apos;t bring them in, although the free pass (but small word count) given to Ellison and Malzberg doesn&apos;t limit me to &lt;i&gt;New Worlds&lt;/i&gt;. Trawl through the &lt;i&gt;New Writings&lt;/i&gt; again. Hey, looks at the &lt;i&gt;Andromeda&lt;/i&gt; anthologies for women... The first has a Naomi Mitchison story in. The other two... male only preserves.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Meanwhile, I need to select reading for between 24 August and 9 September - and am pondering a pile of doorsteps I&apos;m unlikely to read unless there&apos;s nothing else on hand, with the thought that I could leave them behind. Probably to write a hundred words on each. Maybe this is the time I finally read &lt;i&gt;Gravity&apos;s Rainbow&lt;/i&gt;. Need to dig out the to-get list:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Arthur Byron, &lt;i&gt;Autumn Angels&lt;/i&gt;&lt;br /&gt;Italo Calvino, &lt;i&gt;Invisible Cities&lt;/i&gt;&lt;br /&gt;George Alec Effinger, &lt;i&gt;What Entropy Means to Me&lt;/i&gt;&lt;br /&gt;Richard A. Lupoff, &lt;i&gt;Sword of Demon&lt;/i&gt;&lt;br /&gt;Larry Niven, &lt;i&gt;Ringworld Engineers&lt;/i&gt;&lt;br /&gt;Larry Niven and Jerry Pournelle, &lt;i&gt;Inferno&lt;/i&gt;&lt;br /&gt;Robert Silverberg, &lt;i&gt;The Book of Skulls&lt;/i&gt;&lt;br /&gt;Robert Silverberg, &lt;i&gt;The Stochastic Man&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;There&apos;s more, of course, Bryant&apos;s &lt;i&gt;The Kin of Ata are Waiting for You&lt;/i&gt;. Whichever ever one of T&apos;City I don&apos;t have, making having the other two pointless (I think I have two &lt;i&gt;Multifaces&lt;/i&gt;). More Kate Wilhelm. &lt;i&gt;City of Cain&lt;/i&gt;, &lt;i&gt;The Infinity Box&lt;/i&gt;, &lt;i&gt;The Clewiston Test&lt;/i&gt;, &lt;i&gt;Fault Lines&lt;/i&gt;. A Saxon (I think I&apos;m missing &lt;i&gt;Group Feast&lt;/i&gt; and &lt;i&gt;The Weltenschuung of Ms Amelia Whatsit&lt;/i&gt;. Ah that&apos;s a subtitle of &lt;i&gt;Vector for Seven&lt;/i&gt;) The &lt;i&gt;Mortonhoe&lt;/i&gt; sequel. I thought there was a wikipage for 1970s sf novels (there&apos;s one for film).&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=351565&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/351565.html</comments>
  <category>that seventies thing</category>
  <category>research</category>
  <category>reading</category>
  <lj:mood>contemplative</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/350895.html</guid>
  <pubDate>Sun, 15 Aug 2010 20:17:39 GMT</pubDate>
  <title>Other People&apos;s Prose</title>
  <link>https://faustus.dreamwidth.org/350895.html</link>
  <description>Avoidance of the first person is something which has caused academic writing to be felt overly abstract. Cases may be objected to, but the objection seems free of any concrete agency. Such a passive tone is not to be encouraged. Much overinflation, tautology, repetition, overwordiness which is to be avoided by careful writers is fostered, encouraged, reinforced, created, imposed by the disconnection between the subject and the verb, not to mention the means by which or in which or of which the verb connects to or with an object that relates to and connects with the verb is not necessarily the most lucid of grammatical opinations. It is not that it is said that meaning has to be expressed by reference to the person who has produced meaning, rather some people have argued that a concrete placement within a specific communities of speakers, communicators, critics, researchers, writers and utterers allows for a clearer generation of meaning within the reader, audience, addressee, auditor or receptor.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=350895&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/350895.html</comments>
  <category>academia</category>
  <category>reading</category>
  <category>research</category>
  <lj:mood>befuddled</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/345443.html</guid>
  <pubDate>Mon, 02 Aug 2010 09:43:36 GMT</pubDate>
  <title>2010 Reading CXIX-CXXI</title>
  <link>https://faustus.dreamwidth.org/345443.html</link>
  <description>&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/345443.html#cutid1&quot;&gt;CXIX: Katherine MacLean, The Missing Man (1975)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___2&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/345443.html#cutid2&quot;&gt;CXX: Marta Randall, A City in the North (1976)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___2&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___3&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/345443.html#cutid3&quot;&gt;CXXI: James Tiptree, Starsongs from an Old Primate (1978)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___3&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=345443&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/345443.html</comments>
  <category>that seventies thing</category>
  <category>james tiptree jr</category>
  <category>book reviews</category>
  <category>reading</category>
  <category>2010 books</category>
  <lj:mood>literate</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/344119.html</guid>
  <pubDate>Sun, 25 Jul 2010 21:23:29 GMT</pubDate>
  <title>2010 Reading CXV-CXVIII</title>
  <link>https://faustus.dreamwidth.org/344119.html</link>
  <description>&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/344119.html#cutid1&quot;&gt;CXV: Marta Randall, Islands (1976)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___2&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/344119.html#cutid2&quot;&gt;CXVI: Shulamith Firestone, The Dialectic of Sex: The Case for Feminist Revolution (1970)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___2&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___3&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/344119.html#cutid3&quot;&gt;CXVII: Kate Wilhelm, Margaret and I (1971)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___3&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___4&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/344119.html#cutid4&quot;&gt;CXVIII: Suzy McKee Charnas, The Vampire Tapestry (1980)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___4&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=344119&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/344119.html</comments>
  <category>kate wilhelm</category>
  <category>that seventies thing</category>
  <category>feminism</category>
  <category>book reviews</category>
  <category>reading</category>
  <category>2010 books</category>
  <lj:mood>literate</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/343716.html</guid>
  <pubDate>Sun, 25 Jul 2010 00:12:20 GMT</pubDate>
  <title>2010 Reading CXIII-CXIV</title>
  <link>https://faustus.dreamwidth.org/343716.html</link>
  <description>&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/343716.html#cutid1&quot;&gt;CXIII-CXIV: Suzy McKee Charnas, Walk to the End of the World / Motherlines&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Thinking aloud: Is it because I am a man that I never quite find representations of separatism comfortable? I wonder if I feel it&apos;s a cop out? I don&apos;t think it&apos;s a fear of a loss of my power, but then I cannot see entirely beyond white male privilege. I can see why women-only spaces are desirable, which is big of me, I know, although the intricacies of sex and gender may undercut these. Turn about is fair play. &lt;br /&gt;&lt;br /&gt;I&apos;ve been rereading Larry Townsend&apos;s &lt;i&gt;2069&lt;/i&gt; (1969) in preparation for the rest of the trilogy which is from the 1970s, and the anti-woman stuff is appalling, as he describes a more homophile universe. I suspect representations of separatism replicate patriarchy&apos;s essentialism, albeit with a shift of agency. &lt;i&gt;Motherlines&lt;/i&gt; does it better than &lt;i&gt;The Wanderground&lt;/i&gt;, but is more of a traditional novel.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=343716&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/343716.html</comments>
  <category>that seventies thing</category>
  <category>book reviews</category>
  <category>feminism</category>
  <category>reading</category>
  <category>2010 books</category>
  <lj:mood>thoughtful</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/343145.html</guid>
  <pubDate>Mon, 19 Jul 2010 02:44:05 GMT</pubDate>
  <title>2010 Reading CX-CXII</title>
  <link>https://faustus.dreamwidth.org/343145.html</link>
  <description>Forgot two:&lt;br /&gt;&lt;br /&gt;CX: Leigh Brackett, &lt;i&gt;The Hounds of Skaith&lt;/i&gt;&lt;br /&gt;CXI: Leigh Brackett, &lt;i&gt;The Reavers of Skaith&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Two late novels, the conclusion of the Eric John Stark (or is it John Eric Stark?) trilogy begun with &lt;i&gt;The Ginger Star&lt;/i&gt;. I can&apos;t say this science fantasy/planetary romance does much for me.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/343145.html#cutid1&quot;&gt;CXII: Barry Malzberg, Phase IV&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;I have put flour and stuff in the breadmaker, in the hope of having a breakfast to sleep through.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=343145&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/343145.html</comments>
  <category>research</category>
  <category>that seventies thing</category>
  <category>2010 books</category>
  <category>leigh brackett</category>
  <category>barry n. malzberg</category>
  <category>reading</category>
  <lj:mood>insomniac</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/342621.html</guid>
  <pubDate>Sun, 18 Jul 2010 16:14:54 GMT</pubDate>
  <title>2010 Reading XCI-CIX</title>
  <link>https://faustus.dreamwidth.org/342621.html</link>
  <description>Catch up time (and not necessarily in this order or a complete listing):&lt;br /&gt;&lt;br /&gt;XCI: D.G. Compton, &lt;i&gt;Chronocules&lt;/i&gt;&lt;br /&gt;XCII: D.G. Compton, &lt;i&gt;A Usual Lunacy&lt;/i&gt;&lt;br /&gt;XCIII: Michael Coney &lt;i&gt;Sysygy&lt;/i&gt;&lt;br /&gt;XCIV: Michael Coney &lt;i&gt;Mirror Image&lt;/i&gt;&lt;br /&gt;XCV: Michael Coney &lt;i&gt;Brontomek!&lt;/i&gt;&lt;br /&gt;XCVI: Michael Coney &lt;i&gt;Charisma&lt;/i&gt;&lt;br /&gt;XCVII: Christopher Priest, &lt;i&gt;A Dream of Wessex&lt;/i&gt;&lt;br /&gt;XCVIII: Christopher Priest, &lt;i&gt;Fugue for a Darkening Isle&lt;/i&gt;&lt;br /&gt;XCIX: K.W. Jeter, &lt;i&gt;Seeklight&lt;/i&gt;&lt;br /&gt;C: K.W. Jeter, &lt;i&gt;The Dreamfields&lt;/i&gt;&lt;br /&gt;CI: K.W. Jeter, &lt;i&gt;Morlock Night&lt;/i&gt;&lt;br /&gt;CII: Suzette Haden Elgin, &lt;i&gt;The Communipaths&lt;/i&gt; &lt;br /&gt;CIII: Suzette Haden Elgin, &lt;i&gt;Furthest&lt;/i&gt;&lt;br /&gt;CIV: Suzette Haden Elgin, &lt;i&gt;At the Seventh Level&lt;/i&gt;&lt;br /&gt;CV: Suzette Haden Elgin, &lt;i&gt;Star-Anchored, Star-Angered&lt;/i&gt;&lt;br /&gt;CVI: H.G. Wells, &lt;i&gt;The Island of Doctor Moreau&lt;/i&gt;&lt;br /&gt;CVII: Brian Aldiss, &lt;i&gt;Moreau&apos;s Other Island&lt;/i&gt;&lt;br /&gt;CVIII: Barry Malzberg, &lt;i&gt;The Sodom and Gomorrah Business&lt;/i&gt;&lt;br /&gt;CIX: Barry Malzberg, &lt;i&gt;Revelations&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=342621&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <category>that seventies thing</category>
  <category>2010 books</category>
  <category>christopher priest</category>
  <category>reading</category>
  <category>barry n. malzberg</category>
  <lj:mood>literate</lj:mood>
  <lj:security>public</lj:security>
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  <guid isPermaLink='true'>https://faustus.dreamwidth.org/340038.html</guid>
  <pubDate>Wed, 30 Jun 2010 23:49:46 GMT</pubDate>
  <title>Resolutions Revisited: July</title>
  <link>https://faustus.dreamwidth.org/340038.html</link>
  <description>I have been reading, just not the books on this list... Three down. I&apos;m hoping two days in Chichester will help the count, but actually four of those are Octavia Butler&apos;s work, not on the list...&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;b&gt;Reading list&lt;/b&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/340038.html#cutid1&quot;&gt;cut for sanity&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.languageisavirus.com/nanowrimo/word-meter.html&quot; target=&quot;_blank&quot; title=&quot;NaNoWriMo writing toys games &amp;amp; gadgets&quot;&gt;&lt;div style=&quot;width:200px;height:15px;background:#FFFFFF;border:1px solid #000000;&quot;&gt;&lt;div style=&quot;width:64%;height:15px;background:#0033FF;font-size:8px;line-height:8px;&quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;76200 / 120000 words. 64% done!&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=340038&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/340038.html</comments>
  <category>research</category>
  <category>that seventies thing</category>
  <category>reading</category>
  <category>resolutions</category>
  <lj:mood>busy</lj:mood>
  <lj:security>public</lj:security>
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  <guid isPermaLink='true'>https://faustus.dreamwidth.org/332342.html</guid>
  <pubDate>Sun, 16 May 2010 23:27:54 GMT</pubDate>
  <title>SL Days 20 and 21</title>
  <link>https://faustus.dreamwidth.org/332342.html</link>
  <description>Reads, not rereads, for once.&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/332342.html#cutid1&quot;&gt;LXIX: M. John Harrison, The Committed Men (1971)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___2&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/332342.html#cutid2&quot;&gt;LXX: M. John Harrison, The Centauri Device (1975)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___2&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___3&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/332342.html#cutid3&quot;&gt;LXXI: Gardner Dozois, Strangers (1978)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___3&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;End of week three, and twenty-seven novels read (nine this week). I need to watch some films and tv, and get a bit of a grip on time out.&lt;br /&gt;&lt;br /&gt;Seasonally adjusted word count:&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.languageisavirus.com/nanowrimo/word-meter.html&quot; target=&quot;_blank&quot; title=&quot;NaNoWriMo writing toys games &amp;amp; gadgets&quot;&gt;&lt;div style=&quot;width:200px;height:15px;background:#FFFFFF;border:1px solid #000000;&quot;&gt;&lt;div style=&quot;width:38%;height:15px;background:#0033FF;font-size:8px;line-height:8px;&quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;46100 / 120000 words. 38% done!&lt;br /&gt;&lt;br /&gt;11 October is the projected end date, so I&apos;ve pulled back a day, but I have some chunks I need to get written.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=332342&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/332342.html</comments>
  <category>reading</category>
  <category>2010 books</category>
  <category>gardner dozois</category>
  <category>that seventies thing</category>
  <category>study leave</category>
  <category>book reviews</category>
  <category>m. john harrison</category>
  <lj:mood>busy</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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  <guid isPermaLink='true'>https://faustus.dreamwidth.org/331706.html</guid>
  <pubDate>Fri, 14 May 2010 08:57:43 GMT</pubDate>
  <title>SL Day 18</title>
  <link>https://faustus.dreamwidth.org/331706.html</link>
  <description>I got a couple of pieces of good news over the last 48 hours - the one of which I can say unlocked is that Ardal O&apos;Hanlon is going to be performing at a gig near me.&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/331706.html#cutid1&quot;&gt;LXVII: Tom Robbins, Still Life With Woodpecker (1980)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___2&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/331706.html#cutid2&quot;&gt;LXVIII: Kurt Vonnegut, Jailbird (1979)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___2&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=331706&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/331706.html</comments>
  <category>reading</category>
  <category>kurt vonnegut</category>
  <category>tom robbins</category>
  <category>2010 books</category>
  <category>study leave</category>
  <lj:mood>literate</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/330948.html</guid>
  <pubDate>Thu, 13 May 2010 15:28:51 GMT</pubDate>
  <title>SL Days 15-17</title>
  <link>https://faustus.dreamwidth.org/330948.html</link>
  <description>Reading, writing, and catching a suntan through the window of a coffee shop.&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/330948.html#cutid1&quot;&gt;LXIII: Ursula Le Guin, The Dispossessed (1974)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___2&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/330948.html#cutid2&quot;&gt;LXIV: Tom Robbins, Another Roadside Attraction (1971)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___2&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___3&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/330948.html#cutid3&quot;&gt;LXV: Tom Robbins, Even Cowgirls Get the Blues (1976)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___3&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___4&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/330948.html#cutid4&quot;&gt;LXVI: Kurt Vonnegut, Slapstick, Or Lonesome No More! (1976)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___4&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;I&apos;ve been trying to track this quote down for years - I&apos;d thought it was &lt;i&gt;Doctor Who&lt;/i&gt; or Douglas Adams, or both, in fact it was &lt;i&gt;Slapstick&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;[A safety officer has looked at the mess and chaos in Bernard&apos;s lab, and shouted at him.]&lt;br /&gt;&lt;br /&gt;&quot;My brother said this to him, tapping his own forehead with his fingertips: &apos;If you think this laboratory is bad, you should see what it&apos;s like in &lt;i&gt;here&lt;/i&gt;.&apos;&quot;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=330948&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <category>reading</category>
  <category>kurt vonnegut</category>
  <category>tom robbins</category>
  <category>2010 books</category>
  <category>that seventies thing</category>
  <category>study leave</category>
  <lj:mood>literate</lj:mood>
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<item>
  <guid isPermaLink='true'>https://faustus.dreamwidth.org/328806.html</guid>
  <pubDate>Wed, 05 May 2010 00:37:02 GMT</pubDate>
  <title>SL Day 9</title>
  <link>https://faustus.dreamwidth.org/328806.html</link>
  <description>You know, I&apos;ve lost track as to whether I did any writing today... Not a good sign. Tinkering if any. Mostly reading - I tried to watch &lt;i&gt;Heroes&lt;/i&gt; but the snooker overran and I only got the first five minutes of the two episodes. Better record them Saturday morning. An unusually Tuesday without the therapy session, and tried to get into town asap after lunch to drink coffee and read, but after paying bills and diversions to Chaucer Books and Oxfam, it was four o&apos;clock. Finished a book and started another, mind. Oxfam finally yielded &lt;i&gt;Ragtime&lt;/i&gt;, which obviously I&apos;ll read next.&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/328806.html#cutid1&quot;&gt;LIV: C.J. Cherryh, Well of Shiuan (1978).
LV: C.J. Cherryh, Fires of Azeroth (1979).&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___2&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/328806.html#cutid2&quot;&gt;LVI: Ursula Le Guin, Lathe of Heaven (1971)&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___2&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=328806&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <category>research</category>
  <category>study leave</category>
  <category>c.j. cherryh</category>
  <category>ursula le guin</category>
  <category>2010 books</category>
  <category>reading</category>
  <lj:mood>busy</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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  <guid isPermaLink='true'>https://faustus.dreamwidth.org/326067.html</guid>
  <pubDate>Tue, 27 Apr 2010 23:59:59 GMT</pubDate>
  <title>SL + 2</title>
  <link>https://faustus.dreamwidth.org/326067.html</link>
  <description>Barely a half day - the morning spent watching &lt;i&gt;King Kong&lt;/i&gt; (the 1970s incarnation) and lunch over an episode of &lt;i&gt;The Clangers&lt;/i&gt; (I suspect with a BDO, and why does their planet not rotate? I&apos;d already noted their six hour clock). In between:&lt;br /&gt;&lt;br /&gt;&lt;b&gt;XLVI: Philip K. Dick, &lt;i&gt;Radio Free Albemuth&lt;/i&gt;&lt;/b&gt;. I&apos;ll write this up on next year&apos;s reread.&lt;br /&gt;&lt;br /&gt;Unfortunately, too much of the early afternoon was taken up with deciding which books to take with me in case I finish one, that I didn&apos;t have time to read. And I wonder if being convinced that I have two copies of &lt;i&gt;The Custodians&lt;/i&gt; and none of &lt;i&gt;The Road to Corlay&lt;/i&gt; is the reason why I have &lt;i&gt;The Road to Corlay&lt;/i&gt; and none of, yes, you&apos;ve guessed it. If there was an edition of the trilogy featuring &quot;The Piper at the Gates of Dawn&quot;, this is not it. (I read it - in about 1984, I&apos;m sure...)&lt;br /&gt;&lt;br /&gt;Tomorrow&apos;s reading will be done on trains.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=326067&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <category>that seventies thing</category>
  <category>john guillermin</category>
  <category>2010 books</category>
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  <category>book reviews</category>
  <category>philip k dick</category>
  <category>reading</category>
  <category>the clangers</category>
  <lj:mood>busy</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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