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  <title>Why This Is Hell</title>
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  <lastBuildDate>Mon, 15 Jun 2009 16:35:51 GMT</lastBuildDate>
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    <title>Why This Is Hell</title>
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  <pubDate>Mon, 15 Jun 2009 16:35:51 GMT</pubDate>
  <title>2009 Reading XXIX</title>
  <link>https://faustus.dreamwidth.org/261337.html</link>
  <description>Curiously, today has been about books, and about reading.&lt;br /&gt;&lt;br /&gt;But first a backtrack: just over ten days ago I went to Professor Roger Luckhurst&apos;s inaugural lecture which, in a stunning display of Birkbeck think, was about the mummy&apos;s curse and ends up being a Secret History of 19th century literature. Bad things happen to many of those at the opening of Tutankhamen&apos;s tomb, although novelist Marie Corelli seems to be one of those who invented the Tut curse. Other Egyptian curses circulate - such as the one on the dedicatee and co-plotter of &lt;i&gt;The Hound of the Baskervilles&lt;/i&gt;, Bertram Fletcher Robinson, although there is a suggestion that he was poisoned (by Doyle), one on a mummy in the British Museum, and a rumour of a sarcophagus on the &lt;i&gt;Titanic&lt;/i&gt;, whose passengers included W.T. Stead, of the &lt;i&gt;Pall Mall Gazette&lt;/i&gt; and Maiden Tribute of Babylon fame. There is a sort of meta-curse, as those who write about the curse also seem to die in odd circumstances.&lt;br /&gt;&lt;br /&gt;I note this because Richard Dadd lost his sanity in Egypt (he thought he was possessed by Osiris) - and he was written about in &lt;a href=&quot;http://faustus.dreamwidth.org/260867.html#cutid2&quot;&gt;&lt;i&gt;All the Devils Are Here&lt;/i&gt;&lt;/a&gt; by the now-late David Seabrook. And in Saturday&apos;s &lt;i&gt;Guardian&lt;/i&gt;, which I have but have yet to read, there was a selection of &lt;a href=&quot;http://www.guardian.co.uk/books/2009/jun/13/recommended-books-by-authors&quot;&gt;summer reading recommendations&lt;/a&gt;, including - as &lt;a href=&quot;http://peter-mclachlin.livejournal.com/89107.html&quot;&gt;noted&lt;/a&gt; by &lt;a href=&quot;http://peter-mclachlin.livejournal.com/&quot;&gt;Peter Mclachlin&lt;/a&gt; - Iain Sinclair:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;The book about &quot;place&quot; to which I return, as often as I venture along the banks of the Medway or roll up my trousers for a paddle in Ramsgate, is &lt;i&gt;All the Devils Are Here&lt;/i&gt;  (Granta, 2002) by David Seabrook. [...] When Seabrook died, earlier this year, it was a horribly premature loss: now this mysterious author is fated to become part of the zone he described to such effect; an anecdote, a rumour, a legend.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;H&apos;mm...&lt;br /&gt;&lt;br /&gt;Meanwhile, I paused at Cafe Nerd on the way home to finish rereading a volume I seem to have had on the go forever:&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://faustus.dreamwidth.org/261337.html#cutid1&quot;&gt;XXIX: Robert A. Heinlein, I Will Fear No Evil&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Then home via the Barnardo&apos;s bookshop (dull, dull, dull) and Oxfam - where I scored a copy of &lt;i&gt;Purity and Danger&lt;/i&gt;, the reprint of the &lt;i&gt;Yale French Studies&lt;/i&gt; devoted to Lacan and Henry James and a volume of the &lt;a href=&quot;http://www.amazon.co.uk/Complete-Works-Auden-Prose-Travel/dp/0691068038/ref=pd_sim_b_2&quot;&gt;Collected Auden&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;This is an endeavour which I never quite follow because I can&apos;t work out what has been released, and I never know if I care enough to collect the set. As far as I can see, the &lt;i&gt;Collected Poems&lt;/i&gt; is still the version in which Auden butchers himself, and there is no &lt;i&gt;American Auden&lt;/i&gt; to complement &lt;i&gt;The English Auden&lt;/i&gt;. I have the &lt;i&gt;Juvenilia&lt;/i&gt; and &lt;i&gt;Libretti&lt;/i&gt;, but there are at least two volumes of prose to get - and I dare say Auden wrote prose after 1955.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=261337&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://faustus.dreamwidth.org/261337.html</comments>
  <category>2009 books</category>
  <category>books</category>
  <category>book reviews</category>
  <category>reading</category>
  <category>david seabrook</category>
  <category>iain sinclair</category>
  <category>w.h. auden</category>
  <category>robert a. heinlein</category>
  <lj:mood>literate</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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