<?xml version="1.0" encoding="UTF-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xmlns:dw="https://www.dreamwidth.org">
  <id>tag:dreamwidth.org,2009-04-26:124918</id>
  <title>Why This Is Hell</title>
  <subtitle>Nor Am I Out of It</subtitle>
  <author>
    <name>faustus</name>
  </author>
  <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/"/>
  <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom"/>
  <updated>2010-12-06T11:35:39Z</updated>
  <dw:journal username="faustus" type="personal"/>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:367293</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/367293.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=367293"/>
    <title>End Animal Cruelty</title>
    <published>2010-12-06T11:33:39Z</published>
    <updated>2010-12-06T11:35:39Z</updated>
    <category term="comedy"/>
    <dw:mood>ironic, obviously</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">There's a new campaign on Facebook you should all know about.&lt;br /&gt;&lt;br /&gt;We can stamp out animal cruelty by changing our profile pictures. There should be pictures of animals licking their jeremys on Facebook until 25 December to support the RSPCA.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;My contribution &lt;a href="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs226.ash2/49147_743940283_6092629_n.jpg"&gt;probably isn't worksafe and may put you off your lunch&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;You know it makes sense.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=367293" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:322702</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/322702.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=322702"/>
    <title>Stand Up Comedy - The Fourth Emergency Service</title>
    <published>2010-04-13T11:46:58Z</published>
    <updated>2010-04-13T11:46:58Z</updated>
    <category term="medical"/>
    <category term="emergencies"/>
    <category term="blood pressure"/>
    <category term="comedy"/>
    <category term="stand up"/>
    <dw:mood>exhausted</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I've not knowingly seen John Bishop before - he's in a couple of movies - but I decided I ought to see him as I see everyone else, and he might be great. I bought a ticket for my favourite seat, and pinned it on the cork board with the others.&lt;br /&gt;&lt;br /&gt;A few weeks later, in Nottingham, I got a phone call, asking me if I was going to see Bishop at the Carbuncle, which led me astutely to assume that I wasn't, at least not on that date. He was doing a set for a tv show (he led us to believe it was &lt;i&gt;Live at the Apollo&lt;/i&gt;, but it was actually the ITV equivalent), and so he'd be postponing to 12 April. The date came, without further delays, and that date was itself, apparently, already a postponement. &lt;br /&gt;&lt;br /&gt;I went up to the Carbuncle, having watched a movie and two episodes of &lt;i&gt;Battlestar Galactica&lt;/i&gt; and read a novel, intending to work there for a few hours. Naturally it's a Darwin College bus that comes along, when I need to shop first so Parkwood would have done. When I want to go straight to Carbuncle I only get Keynes.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/322702.html#cutid1"&gt;Postponement is only half the fun&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/322702.html#cutid2"&gt;And then I have to go home&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/322702.html#cutid3"&gt;Warning: Contains nudity&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/322702.html#cutid4"&gt;Postscript&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=322702" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:297298</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/297298.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=297298"/>
    <title>Mapping Mapplethorpe</title>
    <published>2009-12-20T15:11:15Z</published>
    <updated>2009-12-20T15:16:56Z</updated>
    <category term="art"/>
    <category term="expotitions"/>
    <category term="galleries"/>
    <category term="robert mapplethorpe"/>
    <category term="photography"/>
    <category term="comedy"/>
    <dw:mood>cold</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I stumbled, by chance, onto there being a Robert Mapplethorpe exhibition in Sheffield, as part of the Tate/National Galleries of Scotland Artists Room tour - of which &lt;a href="http://faustus.dreamwidth.org/277301.html"&gt;Beuys&lt;/a&gt; at Bexhill was a part. Having got all excited about a Richard Dadd exhibition at Dulwich, only to find the thing was cancelled made me suspicious of a lack of mention of the event on the Graves Gallery website. Searching around the innards, there was a news story, but no other mention - and the Artists Room &lt;a href="http://www.tate.org.uk/collection/artistrooms/tour.do"&gt;website&lt;/a&gt;, which now should be covering events into 2011, left a little to be desired. I used the contact-us form but heard nothing back from Sheffield, and somehow never found time to ring. Ah well, I thought, at least the Comedians exhibition will be of interest.&lt;br /&gt;&lt;br /&gt;It might be that the good people of Sheffield - perhaps - took fright at a exhibition of a photograph who had taken a self-portrait with a whip handle stuck up his own (excuse me), and whose section in the Barbican sex exhibition was hedged with even more warnings than any of the, yanno, &lt;i&gt;female&lt;/i&gt; nudes elsewhere. But surely such things would be checked out in advance?&lt;br /&gt;&lt;br /&gt;Let's go to Sheffield, anyway.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/297298.html#cutid1"&gt;Let's see if I waste my time&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;In the next two rooms are the Comedians, and in some ways you'd have expected keeping the two areas distinct. This is National Portrait Gallery stuff - and was so-so. It seems as if there were no female comedians prior to Victoria Wood - when you expect there would be images of the music hall stars and Gracie Fields and so forth. It's not as if there were no obscure figures - but I think they needed more early stuff.&lt;br /&gt;&lt;br /&gt;But it also strikes me that I'm not that interested in portraiture - the Gay Icons exhibition at the NPG was okay, but could have been (and was) a book - but I'm not sure it adds anything to my knowledge of the world. There's no real information on who was taking the pictures - they were credite, but who were they - who were the artists? I don't think it quite ticks my boxes, and I take few portraits myself.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=297298" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:295044</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/295044.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=295044"/>
    <title>Comedy - Update</title>
    <published>2009-12-07T16:35:20Z</published>
    <updated>2009-12-07T16:35:20Z</updated>
    <category term="comedy"/>
    <category term="expotitions"/>
    <category term="theatre"/>
    <category term="stand up"/>
    <dw:mood>amused</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Sat 30 Jan 7.45pm David O’Doherty&lt;br /&gt;Thur 4 Feb 7.45pm Pappy’s Fun Club&lt;br /&gt;Fri 5 Feb 7.45pm Dave Gorman&lt;br /&gt;Tue 9 Feb 7.45pm Jason Byrne &lt;br /&gt;Sat 13 Feb 7.45pm Tom Wrigglesworth's Open Return Letter to Richard Branson&lt;br /&gt;Thur 18 Feb 7.45pm Chris Addison&lt;br /&gt;Wed 10 Mar 7.45pm Jo Caulfield&lt;br /&gt;Thur 25 March 7.45pm John Bishop&lt;br /&gt;Sat 27 Mar 7.45pm John Hegley&lt;br /&gt;Mon 29 Mar 7.45pm Zoe Lyons &lt;br /&gt;Sat 17 Apr 7.45pm Andrew Clover&lt;br /&gt;Tue 20 Apr 7.45pm Katy Brand’s Big Ass Tour&lt;br /&gt;Sat 24 Apr 7.45 Stewart Francis&lt;br /&gt;Wed 5 May 7.45pm Morecambe - The Man What Brought Us Sunshine&lt;br /&gt;Sat 29 May 7.45pm Andrew Maxwell (to book)&lt;br /&gt;Thur 10 June 7.45pm Jason Manford (to book)&lt;br /&gt;Fri 18 June 7.45pm Reginald D Hunter &lt;br /&gt;&lt;br /&gt;And Gorman will also be at the Leas - but I'm seeing a warm up gig.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=295044" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:292073</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/292073.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=292073"/>
    <title>Andy of the Five Towns</title>
    <published>2009-11-22T18:44:28Z</published>
    <updated>2009-11-24T14:30:56Z</updated>
    <category term="stand up"/>
    <category term="ramsgate"/>
    <category term="herne bay"/>
    <category term="margate"/>
    <category term="whitstable"/>
    <category term="expotitions"/>
    <category term="comedy"/>
    <dw:mood>itinerant</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">It seemed like a good idea at the time: I would buy an Explorer ticket and go and photograph the beach shelter at Margate and pick up a book by Levinas in Whitstable. To fill up the rest of the day I could check out Horseclans novels in Ramsgate and maybe have a coffee at Westwood Chaos or in Ramsgate. The only thing was to be at the campus on the hill for Sean Hughes.&lt;br /&gt;&lt;br /&gt;First - after chatting with my elderly neighbour's daughter - was to go to Boots to pick up this month's pills, and catch a bus out to Margate. It might have made more sense to go to Ramsgate first - but I'm not sure how early the bookshop would open, and the light was with me. Against the law that the bus you catch is late and the one you miss is early, this one kept stopping to mesh with its timetable. Curses.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/292073.html#cutid1"&gt;Margate&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/292073.html#cutid2"&gt;November is the cruelest month&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt; &lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/292073.html#cutid3"&gt;'I share all your antipathy to the noisy Plebeian excursionist. A visit to Ramsgate during the season and the vision of the crowded, howling sands has left in me feelings which all my Radicalism cannot allay. At the same time I think that the lower orders are seen unfavourably when enjoying themselves. In labour and trouble they are more dignified and less noisy.'&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/292073.html#cutid4"&gt;Westgate on Sea&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/292073.html#cutid5"&gt;Herne Bay&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/292073.html#cutid6"&gt;Whitstable&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/292073.html#cutid7"&gt;The Carbuncle&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt; &lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___8" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/292073.html#cutid8"&gt;The Last Leg&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___8" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/andrewmbutler/4127929009/" title="Have a Nice Day by Andrew M Butler, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2522/4127929009_b0b067da64_m.jpg" width="240" height="180" alt="Have a Nice Day" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=292073" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:289816</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/289816.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=289816"/>
    <title>More Comedy</title>
    <published>2009-11-12T18:05:37Z</published>
    <updated>2009-11-12T18:05:37Z</updated>
    <category term="expotitions"/>
    <category term="theatre"/>
    <category term="stand up"/>
    <category term="comedy"/>
    <dw:mood>comedic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Sat 30 Jan 7.45pm David O’Doherty&lt;br /&gt;Thur 4 Feb 7.45pm Pappy’s Fun Club&lt;br /&gt;Sat 13 Feb 7.45pm  Tom Wrigglesworth's Open Return Letter to Richard Branson&lt;br /&gt;Thur 18 Feb 7.45pm Chris Addison&lt;br /&gt;Wed 10 Mar 7.45pm Jo Caulfield &lt;br /&gt;Thur 25 March 7.45pm John Bishop&lt;br /&gt;Sat 27 Mar 7.45pm John Hegley&lt;br /&gt;Sat 17 Apr 7.45pm Andrew Clover&lt;br /&gt;Tue 20 Apr 7.45pm Katy Brand’s Big Ass Tour&lt;br /&gt;Sat 24 Apr 7.45 Stewart Francis&lt;br /&gt;Wed 5 May 7.45pm Morecambe - The Man What Brought Us Sunshine&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=289816" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:287296</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/287296.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=287296"/>
    <title>Imagine How Much More Exciting This Would Have Been If I'd Twittered</title>
    <published>2009-10-25T00:05:57Z</published>
    <updated>2009-10-25T20:50:00Z</updated>
    <category term="stand up"/>
    <category term="research"/>
    <category term="coffee"/>
    <category term="comedy"/>
    <dw:mood>exhausted</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Stewart Lee got about twenty minutes' of material out of Caf&amp;eacute; Nerd.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I ran into G on leaving the house - he was off to buy a fourth reading lamp, I was off to have coffee with T, my ex-office mate, and had planned various bits of shopping first. G told us not just to have serious talk, but to do ludicrous talk too - I countered that I could hardly tell the difference. I had some problems in finding a free cash point - everyone was slow - but I got to the coffee shop ahead of time.&lt;br /&gt;&lt;br /&gt;Just.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I ordered a large cappuchino, and as T arrived I said make that two. "Is that large as well?" they asked. Well, yes, otherwise I wouldn't have said make that two, I would have said can I have a small one as well.&lt;br /&gt;&lt;br /&gt;Then the coffee machine broke and we had to go to Costa instead.&lt;br /&gt;&lt;br /&gt;Justice. For them. But perhaps a pyrrhic victory.&lt;br /&gt;&lt;br /&gt;No divi card there, of course, but I learned I got 10% off for the Resident's Card. That amounts to the same thing - but depends on the taste and cost of the coffee. I think I prefer the ambience of Caf&amp;eacute; Nerd. Still, T and I talked about &lt;i&gt;langue&lt;/i&gt; and &lt;i&gt;parole&lt;/i&gt;, the erotics of signifiers, the films of David Decoteau, and it struck me that the &lt;i&gt;idios kosmos&lt;/i&gt; and the &lt;i&gt;koinos kosmos&lt;/i&gt; seem to stand in the same relation as the chora and the symbolic order, and oh god, do I really have to write an article on Dick and Lacan now? And all in all, it was three hours before we mention colleagues who were Pissing us Off.&lt;br /&gt;&lt;br /&gt;In time, though, we parted, and I headed off to Oxfam, where a minor Oops yielded:&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;li&gt;Adams, R. (1984a), &lt;i&gt;The Coming of the Horseclans&lt;/i&gt;&lt;br /&gt;&lt;li&gt;--- (1984b), &lt;i&gt;Revenge of the Horseclans&lt;/i&gt;&lt;br /&gt;&lt;li&gt;--- (1984c), &lt;i&gt;Swords of the Horseclans&lt;/i&gt;&lt;br /&gt;&lt;li&gt;Boorman, J. (1974), &lt;i&gt;Zardoz&lt;/i&gt;&lt;br /&gt;&lt;li&gt;Chambers, I. (1986), &lt;i&gt;Popular Culture; The Metropolitan Experience&lt;/i&gt;&lt;br /&gt;&lt;li&gt;Millett, K. (1977), &lt;i&gt;Sexual Politics&lt;/i&gt;&lt;br /&gt;&lt;li&gt;Pournelle, J. (1980), &lt;i&gt;Future History&lt;/i&gt;&lt;br /&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;br /&gt;but none of the pile of &lt;i&gt;Feminist Review&lt;/i&gt;s required purchasing, which was a little disappointing.&lt;br /&gt;&lt;br /&gt;I ran into two colleagues in there, one of whom said to the other, "Do you come here often?", which I suggested sounded too much like a chat up line.&lt;br /&gt;&lt;br /&gt;I then moseyed up to the Goodsshed, where I purchased chorizo and duck slices from Patrick and three kinds of cheese from Tom's wife (Tom's leg seeming much better).&lt;br /&gt;&lt;br /&gt;I wandered home for a bath, via the Carps and Uncle Pete, whom I wished happy new year (it's been a while since I saw him).&lt;br /&gt;&lt;br /&gt;Then out again to the Carbuncle, to see Stewart Lee and support (Canadian Tony Law). I didn't leave enough time to do the secret exhibition in the library - maybe Monday week - so hid in the corner of the caf&amp;eacute; and surreptitiously ate my own food.&lt;br /&gt;&lt;br /&gt;Someone admired my t-shirt - a red one of Schroeder at the piano with Snoopy, labelled "PLAYER", and asked where I'd got it. I confessed it had been Burton's - imagine my surprise. He paled a little, and I suggested he might wish to make me an offer for it. This he agreed, and I agreed, there needing to be two of us for agreement, so perhaps, rather, he opined, that this was a little too weird and we left at that.&lt;br /&gt;&lt;br /&gt;There was also a tramp, or maybe a drunkard, who was hassling customers and he was eventually escorted from the room by security. This became part of the show - as Lee offered to pay for his ticket and joked about the management getting their retaliation in first. The auditorium was more or less full, relatively young, and very male.&lt;br /&gt;&lt;br /&gt;Lee actually did well over an hour in the second part, "If you prefer a milder comedian, please ask for one", with basically three or four anecdotes, in part in response to Frankie Boyle's accusation that comedians over 40 have lost their anger. Lee is angry - but even more he is disappointed. The first section was about Caffe Nero's refusal to honour his divi card because two of the stamps were blue rather than red, suggested he had forged then in order to rip off 2/9 of a coffee, then discussed people who move to the countryside for the quality of life and then hate it. The remainder of the show was about how much he hates Richard Hammond, and wishes him dead (just a joke, like the sort they make on &lt;i&gt;Top Gear&lt;/i&gt;) and Magners theft of a family phrase and a favourite song - a song he ended the show with.&lt;br /&gt;&lt;br /&gt;Lee's style is to obsess on a particular phrase - to repeat and to reinforce, and to re-run through with minor variants: for example "The guildhall, in the country town, with him from &lt;i&gt;Max and Paddy&lt;/i&gt;, not Peter Kay, the other one, with the horse, in the field, for the quality of life" or "Give it to me straight, like pear cider made from 100% pears" As was proven 40 years ago - even the word teapot is funny if repeated ad infinitum. Curiously, he doesn't mention that it's comedian Mark Watson in the Magners advert, just a welsh guy. It's very strange to see him stretch a joke to breaking point and beyond.&lt;br /&gt;&lt;br /&gt;That's the end of a long week, which began with Reginald Hunter and also included Sarah Millican ("I bought a book called &lt;i&gt;250 Ways to Drive You Man Mad&lt;/i&gt;. It doesn't mention hiding his &lt;i&gt;Battlestar Galactica&lt;/i&gt; DVD boxset"). The theatre was full for both - rare for a female comedian, alas. And this week looks busy, too, with a visit to London and, apparently, Manchester.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=287296" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:286453</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/286453.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=286453"/>
    <title>Too Tired to Count Make a Post</title>
    <published>2009-10-20T01:11:20Z</published>
    <updated>2009-10-20T01:11:20Z</updated>
    <category term="books"/>
    <category term="film"/>
    <category term="research"/>
    <category term="shakespeare"/>
    <category term="comedy"/>
    <category term="dream"/>
    <dw:mood>tired</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Have finished Wednesday's lecture in note form - need to add photos and pictures.&lt;br /&gt;&lt;br /&gt;Might have got this done sooner, but I missed a bus by about 45 seconds and there's a 40 minute gap. Should have walked but was lazy and had laptop.&lt;br /&gt;&lt;br /&gt;I'll try and write up &lt;i&gt;Julie and Julia&lt;/i&gt; tomorrow, but it's worth seeing for the cat alone - and &lt;i&gt;Los Cronocrimenes&lt;/i&gt;, an old-fashioned and eventually efficient time travel movie. Plus the weekend's viewing.&lt;br /&gt;&lt;br /&gt;I got a remarkable two hours in the library this afternoon, having hoped for about four and dreamed about six, but starting the lecture took more of this morning than planned.&lt;br /&gt;&lt;br /&gt;Last night I dreamt they'd redecorated the Farmer's Market. The colour scheme was that of the Carbuncle, which I'd discussed Saturday night.&lt;br /&gt;&lt;br /&gt;Sunday's &lt;i&gt;Mail on Sunday&lt;/i&gt; had an article on Steven Gately attacking homophobic innuendo about his death. Suzanne Moore did not mention Jan Moir by name.&lt;br /&gt;&lt;br /&gt;Dave and I did the &lt;i&gt;Mail on Sunday&lt;/i&gt; cryptic crossword.&lt;br /&gt;&lt;br /&gt;The RIBA Stirling Prize holds a prominent place in my annual calendar for personal sentimental reasons I shall not go into, but I &lt;s&gt;taped&lt;/s&gt; digitised it as I'd gone out on Saturday night. Annoyingly &lt;i&gt;Broadcasting House&lt;/i&gt; went straight into an interview with the winner the next day without giving me a chance to turn off the radio. Bum.&lt;br /&gt;&lt;br /&gt;Saturday night I'd gone to see Reginald D. Hunter live, supported by Steve Hughes. It was notable for a walk out by a middle aged couple some twenty minutes into the support act. They shouted they'd come to see Hunter not him. Curiously, they did not return after the interval. Okay, the ticket does not say PLUS SUPPORT - and maybe should - but it's fairly standard practice as most comedians do the &lt;s&gt;psychoanalytic&lt;/s&gt; Edinburghian hour, and need a support for the first half/third.&lt;br /&gt;&lt;br /&gt;Saturday afternoon I bought the more expensive copy of &lt;i&gt;The Taming of the Shrew&lt;/i&gt;. Barnardo's had a copy at £2.75, but I thought I'd check Oxfam first - and they had the same edition, different cover, at £2.99. I figgered I prefer the cause and couldn't be bothered to go back and compare conditions. I must do a list of my Arden wants list so I can fill in the gaps. A rough count says 24 - the gaps include &lt;i&gt;The Tempest&lt;/i&gt; (leant to a friend, now dead) and comedies and problem plays. A dozen or so left to go - &lt;i&gt;Coriolanus&lt;/i&gt;, &lt;i&gt;Titus Andronicus&lt;/i&gt;, &lt;i&gt;Troilus and Cressida&lt;/i&gt;, &lt;i&gt;All's Well That Ends Well&lt;/i&gt;, &lt;i&gt;As You Like It&lt;/i&gt;, &lt;i&gt;The Comedy of Errors&lt;/i&gt;, &lt;i&gt;Cymbeline&lt;/i&gt;, &lt;i&gt;Love's Labour's Lost&lt;/i&gt;, &lt;i&gt;Measure for Measure&lt;/i&gt; (odd as I've seen and studied this), &lt;i&gt;Merry Wives of Windsor&lt;/i&gt;, &lt;i&gt;Pericles, Prince of Tyre&lt;/i&gt;, &lt;i&gt;The Tempest&lt;/i&gt;, &lt;i&gt;The Two Noble Kinsmen&lt;/i&gt;. A baker's dozen. I must check that the &lt;i&gt;Sonnets&lt;/i&gt; are distinct from &lt;i&gt;The Poems&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;And so to bed. Dreaming of time travelling.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=286453" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:281033</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/281033.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=281033"/>
    <title>Sammy J and The Forest of Dreams</title>
    <published>2009-09-24T10:10:02Z</published>
    <updated>2009-09-24T10:10:02Z</updated>
    <category term="comedy"/>
    <category term="expotitions"/>
    <dw:mood>enthralled</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">A big sloppy smile, after watching Sammy J and The Forest of Dreams last night with Dave. He enjoyed it too.&lt;br /&gt;&lt;br /&gt;It's a sort of attack on the Disney Bildungsroman, as Sammy J, unable to pay his utility bills, is sucked through a portal in the Forest of Dreams, where all the forest critters are forced to pick berries for the king. Sammy J transgresses the rules and then leads a revolution.&lt;br /&gt;&lt;br /&gt;Sammy J is a musical comedian, best known for comic songs like Tom Lehrer's, but here he's acting and singing, and I presume occasionally a puppeteer - all the other characters are puppets, mostly played and voiced by Heath McIvor. I'd seen it at Edinburgh last year, but the comedy booker hadn't been sure it would play on the thrust stage of the Gulbenkian. I think they pulled it off.&lt;br /&gt;&lt;br /&gt;What amazes me, as it does with muppets, is that uncanny way in which felt can not only come alive, but also, visibly, die. How does this mechanism work? Identification - some residual animism of seeing spirits in trees - a result of gestalt pattern finding? I don't know. There's summat to be written on this by someone.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=281033" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:271049</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/271049.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=271049"/>
    <title>Mixed Felines</title>
    <published>2009-07-30T23:31:36Z</published>
    <updated>2009-07-30T23:31:36Z</updated>
    <category term="expotitions"/>
    <category term="cat banditry"/>
    <category term="stand up"/>
    <category term="films"/>
    <category term="comedy"/>
    <dw:mood>upbeat</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">W-e-e-e-l-l - there was a kerchunk of the unexpected when things were going better than they have any right to be, and the cynic in me says that if things are better than they ought to be then... clearly you've misjudged the situation. All I will say that if you've spent some time dealing with someone, and saying how much you want to meet up and that meeting doesn't happen, it's rather odd to ignore texts and phonecalls, to delete an entire email account and to look at the website of the person, all within a couple of hours of not meeting up.&lt;br /&gt;&lt;br /&gt;Draw a veil.&lt;br /&gt;&lt;br /&gt;I am insanely pleased with my I Pod Touch and the ability to post from the Carbuncle (curiously the Secret Campus does not support them, so Eduroam will allow me to go online at the campus on the hill but not my employer). I am also pleased with my new Macbook, and Scrivener, although the wireless keeps falling over. &lt;br /&gt;&lt;br /&gt;Marlowe clearly would like to come to the pub with me - and some evenings I am half way down Oxford Street before I shake her off. In such cases I hear a crying when I get back to Lime Kiln Road and she appears, having presumably waited all along. Failing that the chances are she'll be at the end of the ten foot, or appear over the fence of Guildford Road. She's getting good at walking to heel. Oddly she has stopped going upstairs - with the exception of today - and how Tilda has made this her territory is not clear. I thought Marlowe had stopped yuvving me, but today she was all over me and weally weally yuvs me (and is clearly jealous of the laptop).&lt;br /&gt;&lt;br /&gt;Tilda has stopped bringing me presents, but (and she's just appeared there now) has fallen in love with Dave's old bed and has been there more or less constantly for the last fortnight. I will have to vacuum the duvet and put a sheet over it. My sleep is thus uninterrupted by cats - just my thoughts and bladder - but it is disconcerting to wake up and see a cat staring at you via a mirror.&lt;br /&gt;&lt;br /&gt;I skipped out on seeing a couple of the Edinburgh warm-ups at the Carbuncle - I wish I'd seen Pappy's Fun Club, but they'll be back - although I saw Adam Hills and Brendan Burns tonight. I can see why Hills is used as a compere, and I can't believe that Burns's miming of singing "The Rainbow Song" via the slit of his penis &lt;i&gt;wasn't&lt;/i&gt; offensive. In glorious and hilarious bad taste, in a way that Julian Clary's show wasn't (that was the first night of the tour, pre-Edinburgh, but using the word ring and playing with butt plugs isn't enough to be funny).&lt;br /&gt;&lt;br /&gt;Meanwhile I saw the Festival brochure, and little stands out as unmissable - although I note Reginald D. Hunter, Sarah Millican and Stewart Lee. Tickets bought for them. I can't be bothered with Alistair McGowan.&lt;br /&gt;&lt;br /&gt;My autumn:&lt;br /&gt;&lt;br /&gt;23 Sep: Sammy J. in The Forest of Dreams&lt;br /&gt;17 Oct: Reginald D. Hunter&lt;br /&gt;21 Oct: Sarah Millican &lt;br /&gt;24 Oct: Stewart Lee&lt;br /&gt;6 Nov: Milton Jones&lt;br /&gt;7 Nov: Jim Jeffries&lt;br /&gt;12 Nov: Daniel Kitson&lt;br /&gt;21 Nov: Sean Hughes&lt;br /&gt;27 Nov: Mitch Benn and the Distractions&lt;br /&gt;8 Dec: Lee Mack&lt;br /&gt;&lt;br /&gt;I'm going to be a social bunny - sitting on my own in the dark.&lt;br /&gt;&lt;br /&gt;Did I mention I might be an extra on the next Ross Noble DVD?&lt;br /&gt;&lt;br /&gt;I need to get reading and viewing for the seventies book - it's slow work. &lt;br /&gt;&lt;br /&gt;Having sat on two Sofacinema dvds for a month I'm determined to get my money's worth this month, but I'm also trying to watch the second series of &lt;i&gt;Ashes to Ashes&lt;/i&gt; which I recorded (then &lt;i&gt;Skins&lt;/i&gt;, &lt;i&gt;The Inbetweeners&lt;/i&gt;, a fistful of Clint Eastwood movies, and various other films). Today I watched the first half of &lt;i&gt;Blackpool&lt;/i&gt;, in which I think Tennant wins against Morrisey in the battle of the Davids and I ponder which things I've seen have had Sarah Parrish rather than Sarah Lancashire. Amusing to spot the Doctor Who exhibition in one shot, but I'm less convinced by the lip syncing - it feels too derivative of Dennis Potter. The author went on to do &lt;i&gt;Desperate Romantics &lt;/i&gt; - which I've yet to see, but appears to be about a generation later than even the Next Generation (most of whom died before the originals: cf the dates of the Six Blokes of Romanticism, Blake, Coleridge and Wordsworth vs Byron, Keats and Shelley).&lt;br /&gt;&lt;br /&gt;I feel the urge to go somewhere this Saturday - maybe to Eastbourne or (again) Bexhill - but I ought to be good and work. I probably ought to do St Leonard's before those bookshops close too.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=271049" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:259677</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/259677.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=259677"/>
    <title>I Was Ross Noble's Extras</title>
    <published>2009-06-07T23:19:57Z</published>
    <updated>2009-06-08T10:21:35Z</updated>
    <category term="comedy"/>
    <category term="ross noble"/>
    <category term="marking"/>
    <category term="stand up"/>
    <dw:mood>shy</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/259677.html#cutid1"&gt;Or will be. Perhaps.&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=259677" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
</feed>
