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  <id>tag:dreamwidth.org,2009-04-26:124918</id>
  <title>Why This Is Hell</title>
  <subtitle>Nor Am I Out of It</subtitle>
  <author>
    <name>faustus</name>
  </author>
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  <updated>2011-04-09T22:12:37Z</updated>
  <dw:journal username="faustus" type="personal"/>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:379825</id>
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    <title>2011 Films: 1</title>
    <published>2011-02-13T20:01:39Z</published>
    <updated>2011-02-14T12:56:52Z</updated>
    <category term="cinema"/>
    <category term="film reviews"/>
    <category term="2011 films"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">This isn't the first film - but I've not written the others up yet.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/379825.html#cutid1"&gt;1 Casablanca (Michael Curtiz, 1942)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=379825" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:377456</id>
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    <title>2011 Films: 2-12</title>
    <published>2011-01-30T23:55:19Z</published>
    <updated>2011-04-09T22:12:37Z</updated>
    <category term="cinema"/>
    <category term="film reviews"/>
    <category term="films"/>
    <category term="dvds"/>
    <category term="2011 films"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I'll save &lt;s&gt;three&lt;/s&gt; four Terence Davies movies and &lt;i&gt;Black Swan&lt;/i&gt; for another two posts.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/377456.html#cutid1"&gt;2: Scontri stellari oltre la terza dimensione (Stellar clashes beyond the third dimension, Starcrash), (Lewis Coates, 1979)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/377456.html#cutid2"&gt;3: Empire Of The Ants (Burt I. Gordon, 1977)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/377456.html#cutid3"&gt;4: The Men Who Stared at Goats (Grant Heslov, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/377456.html#cutid4"&gt;5: The Lord of the Rings (Ralph Bakshi, 1978)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/377456.html#cutid5"&gt;6: Monsters (Gareth Edwards, 2010)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/377456.html#cutid6"&gt;7: Dans Paris (Inside Paris, Christophe Honoré, 2006)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/377456.html#cutid7"&gt;8: Molière (Laurent Tirard, 2007)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___8" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/377456.html#cutid8"&gt;9: Et après (Afterwards, Gilles Bourdos, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___8" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___9" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/377456.html#cutid9"&gt;10: Lucky Bastard (Everett Lewis, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___9" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___10" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/377456.html#cutid10"&gt;11: Mulligans (Chip Hale, 2008)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___10" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___11" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/377456.html#cutid11"&gt;12: Dorian Blues (Tennyson Bardwell, 2008)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___11" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=377456" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:375065</id>
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    <title>2010 Films: CXX-CXXV</title>
    <published>2011-01-22T21:26:55Z</published>
    <updated>2011-01-31T00:25:50Z</updated>
    <category term="2010 films"/>
    <category term="dvd"/>
    <category term="cinema"/>
    <category term="film reviews"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I suspect there has been something missing here, but I have been watching a lot of tv and things have been melding into one another...&lt;br /&gt;&lt;br /&gt;So, especially because I know what is coming up in 2011 (having been there when I watched them), do we finish 2010 on a high?&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CXX: &lt;i&gt;The Rocky Horror Picture Show&lt;/i&gt; (Jim Sharman, 1975)&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Richard O'Brien's gender bending musical - with Hammer horror sets, now watchable with the opening in black and white - as interesting for its cast as anything else.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CXXI: &lt;i&gt;The Abominable Dr. Phibes&lt;/i&gt; (Robert Fuest, 1971)&lt;br /&gt;CXXII: &lt;i&gt;The Incredible Melting Man&lt;/i&gt; (William Sachs, 1977)&lt;br /&gt;CXXIII: &lt;i&gt;Blackenstein&lt;/i&gt; (William A. Levey, 1973)&lt;br /&gt;CXXIV: &lt;i&gt;The Island of Dr. Moreau&lt;/i&gt; (Don Taylor, 1977)&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;So what is the &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/375065.html#cutid1"&gt;finish the year on a high film?&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=375065" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:357037</id>
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    <title>2010 Films XCV-CIV</title>
    <published>2010-10-01T17:13:37Z</published>
    <updated>2010-10-03T22:21:05Z</updated>
    <category term="cinema"/>
    <category term="film reviews"/>
    <category term="2010 films"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>2</dw:reply-count>
    <content type="html">&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/357037.html#cutid1"&gt;XCVI: R.T.T. (Frédéric Berthe, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/357037.html#cutid2"&gt;XCVII: Cop Out (Kevin Smith, 2010)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/357037.html#cutid3"&gt;XCVIII: She's Out of My League (Jim Field Smith, 2010)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/357037.html#cutid4"&gt;IC: Lila, Lila ((My Words, My Lies - My Love) Alain Gsponer, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/357037.html#cutid5"&gt;C: The Chain Reaction (Ian Barry, 1980)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/357037.html#cutid6"&gt;CI: L'arnacoeur ((Heartbreaker) Pascal Chaumeil, 2010)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/357037.html#cutid7"&gt;CII: Flickan som lekte med elden ((The Girl who Played with Fire) Daniel Alfredson, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___8" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/357037.html#cutid8"&gt;CIII: Scott Pilgrim vs the World (Edgar Wright, 2010)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___8" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___9" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/357037.html#cutid9"&gt;CIV: The Drowning Pool (Stuart Rosenberg, 1975)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___9" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=357037" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:352407</id>
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    <title>2010 Films LXXXIX-XCV</title>
    <published>2010-08-21T22:04:03Z</published>
    <updated>2010-10-01T14:56:31Z</updated>
    <category term="cinema"/>
    <category term="film reviews"/>
    <category term="dvds"/>
    <category term="2010 films"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Oooh - briefer write ups than I intended. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/352407.html#cutid1"&gt;LXXXIX: The Spy Who Loved Me (Lewis Gilbert, 1977)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/352407.html#cutid2"&gt;XC: Live and Let Die (Guy Hamilton, 1973)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/352407.html#cutid3"&gt;XCI: The Man with the Golden Gun (Guy Hamilton, 1974)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/352407.html#cutid4"&gt;XCII: Captain's Paradise (Robert Hamer, 1953)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/352407.html#cutid5"&gt;XCIII: The Art of Being Straight (Jesse Rosen, 2008)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/352407.html#cutid6"&gt;XCIV: Eating Out 3 - All You Can Eat (Glenn Gaylord, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/352407.html#cutid7"&gt;XCV: Were the World Mine (Thomas Gustafson, 2008)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals: 95 (Cinema: 20; DVD: 60; Video: 1; TV: 14)&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=352407" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:345158</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/345158.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=345158"/>
    <title>2010 Films LXXIV-LXXXV</title>
    <published>2010-08-02T00:55:09Z</published>
    <updated>2010-08-21T21:54:29Z</updated>
    <category term="cinema"/>
    <category term="film reviews"/>
    <category term="dvd"/>
    <category term="rian johnson"/>
    <category term="that seventies thing"/>
    <category term="2010 films"/>
    <category term="film"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/345158.html#cutid1"&gt;LXXIV: Escape from Witch Mountain (John Hough, 1975)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/345158.html#cutid2"&gt;LXXV: Return to Witch Mountain (John Hough, 1978)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/345158.html#cutid3"&gt;LXXVI: The Island at the Top of the World (Robert Stevenson, 1974)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/345158.html#cutid4"&gt;LXXVII: Unidentified Flying Oddball (Russ Mayberry, 1979)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/345158.html#cutid5"&gt;LXXVIII: The Black Hole (Gary Nelson, 1979)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/345158.html#cutid6"&gt;LXXIX: Dog Tags (Damion Dietz, 2008)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/345158.html#cutid7"&gt;LXXX: The Land that Time Forgot (Kevin Connor, 1975)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___8" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/345158.html#cutid8"&gt;LXXXI: The People that Time Forgot (Kevin Connor, 1977)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___8" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___9" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/345158.html#cutid9"&gt;LXXXII: The Invasion of the Bodysnatchers (Philip Kaufman, 1978)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___9" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___10" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/345158.html#cutid10"&gt;LXXXIII: At the Earth's Core (Kevin Connor, 1974)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___10" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___11" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/345158.html#cutid11"&gt;LXXXIV: The Brothers Bloom (Rian Johnson, 2008)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___11" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=345158" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:342897</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/342897.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=342897"/>
    <title>2010 Films LX-LXXII</title>
    <published>2010-07-18T16:37:42Z</published>
    <updated>2010-07-18T20:54:44Z</updated>
    <category term="dvds"/>
    <category term="that seventies thing"/>
    <category term="2010 films"/>
    <category term="film"/>
    <category term="ron oliver"/>
    <category term="cinema"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Catch up, no doubt missing stuff:&lt;br /&gt;&lt;br /&gt;LX: &lt;i&gt;Slutty Summer&lt;/i&gt; (Casper Andrea, 2005) - dull gay indie&lt;br /&gt;LXI: &lt;i&gt;Shock to the System&lt;/i&gt; (Ron Oliver, 2006) - enjoyable crime TVM&lt;br /&gt;LXII: &lt;i&gt;3-Day Weekend&lt;/i&gt; (Rob Williams, 2008) - away for the weekend in ski lodge comedy&lt;br /&gt;LXIII: &lt;i&gt;Mr Brooks&lt;/i&gt; (Bruce A. Evans, 2007) - Kevin Costner is highly recommended movie shock - as is Demi Moore. Go rent. Now.&lt;br /&gt;LXIV: &lt;i&gt;It's Alive&lt;/i&gt; (Larry Cohen, 1974) - baby horror&lt;br /&gt;LXV: &lt;i&gt;It Lives Again&lt;/i&gt; (Larry Cohen, 1978) - son of baby horror&lt;br /&gt;LXVI: &lt;i&gt;It's A Wonderful Afterlife&lt;/i&gt; (Gurinda Chada, 2010) - Ealing style comedy with Asian twist, the funniest bit being a pointless &lt;i&gt;Carrie&lt;/i&gt; homage&lt;br /&gt;LXVII: &lt;i&gt;Four Lions&lt;/i&gt; (Chris Morris, 2010) - Ealing style comedy with Jihad twist, go see - although London looks rather like Sheffield&lt;br /&gt;LXVIII: &lt;i&gt;Kung Fu Hustle&lt;/i&gt; (Stephen Chow, 2004) - the sort of film Tarantino tries but fails to make - barking but brilliant&lt;br /&gt;LXIX: &lt;i&gt;The Kid Stays in the Picture&lt;/i&gt; (Nanette Burstein and Brett Morgen, 2002) - talking book, with pictures; Robert Evans's autobiography&lt;br /&gt;LXX: &lt;i&gt;Herbie Goes To Monte Carlo&lt;/i&gt; (Vincent McEveety, 1977) - VW falls in love and evades evil diamond thieves&lt;br /&gt;LXXI: &lt;i&gt;Herbie Rides Again&lt;/i&gt; (Robert Stevenson, 1974) - VW evades evil property development corporation&lt;br /&gt;LXXII: &lt;i&gt;Herbie Goes Bananas&lt;/i&gt; (Vincent McEveety, 1980) - VW evades evil archeologists&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals: 72 (Cinema: 18; DVD: 43; TV: 11)&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=342897" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:335181</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/335181.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=335181"/>
    <title>2010 Films LIV-LIX</title>
    <published>2010-05-26T16:29:03Z</published>
    <updated>2010-07-18T16:17:36Z</updated>
    <category term="ridley scott"/>
    <category term="richard donner"/>
    <category term="film"/>
    <category term="don taylor"/>
    <category term="brian de palma"/>
    <category term="film reviews"/>
    <category term="cinema"/>
    <category term="2010 films"/>
    <category term="david cronenberg"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/335181.html#cutid1"&gt;LIV: Kick-Ass (Matthew Vaughan, 2010)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/335181.html#cutid2"&gt;LV: The Omen (Richard Donner, 1976)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/335181.html#cutid3"&gt;LVI: Damien: Omen II (Don Taylor, 1978)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/335181.html#cutid4"&gt;LVII: Shivers (David Cronenberg, 1975)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/335181.html#cutid5"&gt;LVIII: Carrie (Brian De Palma, 1976)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/335181.html#cutid6"&gt;LIX: Alien (Ridley Scott, 1979)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals: 59 (Cinema: 16; DVDs: 34; TV: 9)&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=335181" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:334953</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/334953.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=334953"/>
    <title>SL Day 26</title>
    <published>2010-05-21T22:59:10Z</published>
    <updated>2010-05-26T16:51:52Z</updated>
    <category term="study leave"/>
    <category term="cinema"/>
    <category term="expotitions"/>
    <category term="that seventies thing"/>
    <category term="film"/>
    <dw:mood>busy</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">A day off, although I did have a couple of hours reading &lt;i&gt;Shikasta&lt;/i&gt;. Odd, and a little round the houses. I wonder who coined "space fiction" and when. Shall look up. The post brought &lt;i&gt;Aurora: Beyond Equality&lt;/i&gt;, and &lt;i&gt;Star-Anchored, Star-Angered&lt;/i&gt; arrived on Tuesday. US and Canadian posting is slow, although &lt;i&gt;Aurora&lt;/i&gt; was last thing ordered.&lt;br /&gt;&lt;br /&gt;I nearly talked myself out of going to see &lt;i&gt;Kick-Ass&lt;/i&gt;; good job I didn't, too, as whatever you think about Jonathan Ross (and I think a move out of the mainstream would be to the good), his missus is a sharp talent. I am wearing a broad grin, and caught the bus with a couple of mins to spare, after a long wait to get up there.&lt;br /&gt;&lt;br /&gt;Meanwhile, I spoke three little words to someone, and &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/334953.html#cutid1"&gt;got the response:&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;More to come.&lt;br /&gt;&lt;br /&gt;And thus home, and the realisation that I can't go to Chichester for a day because I'm seeing a stand up Saturday night. Will have to think about staying over night (and thus it doesn't have to be a Saturday). Shall discuss this with Tilda.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=334953" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:332259</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/332259.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=332259"/>
    <title>2010 Films XLI-LIII</title>
    <published>2010-05-16T20:43:23Z</published>
    <updated>2010-05-16T21:34:28Z</updated>
    <category term="niels arden oplev"/>
    <category term="roman polanski"/>
    <category term="john guillermin"/>
    <category term="film reviews"/>
    <category term="henry cass"/>
    <category term="stef. wagstaffe"/>
    <category term="steven spielberg"/>
    <category term="luca guadagnino"/>
    <category term="ron oliver"/>
    <category term="jan harlan"/>
    <category term="andy devonshire"/>
    <category term="j. lee thompson"/>
    <category term="2010 films"/>
    <category term="mikhail kalatozov"/>
    <category term="cinema"/>
    <category term="dvds"/>
    <category term="michael moore"/>
    <category term="kevin brownlow"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I've got a little behind, so short cuts basically. I've probably forgotten something.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/332259.html#cutid1"&gt;XLI: Close Encounters of the Third Kind (Steven Spielberg, 1977)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/332259.html#cutid2"&gt;XLII: King Kong (John Guillermin, 1976)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/332259.html#cutid3"&gt;XLIII: Dave Gorman's America Unchained (Andy Devonshire and Stef. Wagstaffe, 2004)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/332259.html#cutid4"&gt;XLIV: O Lucky Malcolm (Jan Harlan, 2006)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/332259.html#cutid5"&gt;XLV: Battle for the Planet of the Apes (J. Lee Thompson, 1973)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/332259.html#cutid6"&gt;XLVI: Soya Cuba (I am Coooba, Mikhail Kalatozov, 1964)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/332259.html#cutid7"&gt;XLVII: Män som hatar kvinnor (The Girl With the Dragon Tattoo, Niels Arden Oplev, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___8" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/332259.html#cutid8"&gt;XLVIII: Capitalism: A Love Story (Michael Moore, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___8" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___9" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/332259.html#cutid9"&gt;XLIX: Winstanley (Kevin Brownlow, 1975)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___9" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___10" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/332259.html#cutid10"&gt;L: Third Man Out (Ron Oliver, 2005)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___10" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___11" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/332259.html#cutid11"&gt;LI: Last Holiday (Henry Cass, 1950)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___11" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___12" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/332259.html#cutid12"&gt;LII: The Ghost (Roman Polanski, 2010)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___12" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___13" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/332259.html#cutid13"&gt;LIII: Io sono l'amore (I Am Love, Luca Guadagnino, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___13" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals: 53 (Cinema: 15; DVDs: 29; TV: 9)&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=332259" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:323082</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/323082.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=323082"/>
    <title>2010 Films XXXVI-XL</title>
    <published>2010-04-14T23:21:43Z</published>
    <updated>2010-04-19T16:35:26Z</updated>
    <category term="john mckenzie"/>
    <category term="miles swain"/>
    <category term="stuart hazeldine"/>
    <category term="dvds"/>
    <category term="cinema"/>
    <category term="film reviews"/>
    <category term="kathryn bigelow"/>
    <category term="lindsa anderson"/>
    <category term="2010 films"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/323082.html#cutid1"&gt;XXXVI: The Trip (Miles Swain, 2002)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/323082.html#cutid2"&gt;XXXVII: O Lucky Man! (Lindsay Anderson, 1973)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/323082.html#cutid3"&gt;XXXVIII: The Long Good Friday (John Mackenzie, 1980)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/323082.html#cutid4"&gt;XXXIX: The Hurt Locker (Kathryn Bigelow, 2008)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/323082.html#cutid5"&gt;XL: Exam (Stuart Hazeldine, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals: 40 (Cinema: 10; DVDs: 22; TV: 8)&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=323082" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:320525</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/320525.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=320525"/>
    <title>2010 Films XXIX-XXXV</title>
    <published>2010-04-02T09:26:05Z</published>
    <updated>2010-04-02T11:54:55Z</updated>
    <category term="federico fellini"/>
    <category term="richard donner"/>
    <category term="dvds"/>
    <category term="films"/>
    <category term="stephen frears"/>
    <category term="robert wise"/>
    <category term="sidney lumet"/>
    <category term="mike hodges"/>
    <category term="2010 films"/>
    <category term="ronald neame"/>
    <category term="cinema"/>
    <category term="film reviews"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/320525.html#cutid1"&gt;XXIX: Meteor (Ronald Neame, 1979)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/320525.html#cutid2"&gt;XXX: Gumshoe (Stephen Frears, 1971)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/320525.html#cutid3"&gt;XXXI: 8 1/2 (Federico Fellini, 1963)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/320525.html#cutid4"&gt;XXXII: The Anderson Tapes (Sidney Lumet, 1971)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/320525.html#cutid5"&gt;XXXIII: Superman (Richard Donner, 1978)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/320525.html#cutid6"&gt;XXXIV: Flash Gordon (Mike Hodges, 1980)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;I'm holding back on &lt;i&gt;A Single Man&lt;/i&gt;, because it needs a spoilery rave and rant.&lt;br /&gt;&lt;br /&gt;I've been looking for the following for ages - there's a Wise director's cut, but I wanted the original release, the Star Trek trilogy box was films 2-4 and there was  stupidly expensive boxset of the ten. &lt;i&gt;Star Trek&lt;/i&gt; movies don't show up in CEX. But finally I found a cheaper complete films boxset on Amazon, and so I've got all the films should I wish to watch/rewatch them.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/320525.html#cutid7"&gt;XXXV: Star Trek: The Slow Motion Picture (Robert Wise, 1979)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals: 35 (Cinema: 8; DVDs: 19; TV: 8)&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=320525" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:315320</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/315320.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=315320"/>
    <title>2010 Films XXII-XXV</title>
    <published>2010-03-06T13:15:04Z</published>
    <updated>2010-03-06T13:15:04Z</updated>
    <category term="desmond hurst"/>
    <category term="ben bolt"/>
    <category term="film reviews"/>
    <category term="pete walker"/>
    <category term="cinema"/>
    <category term="2010 films"/>
    <category term="piers haggard"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/315320.html#cutid1"&gt;XXII: Rainy Day Women (Ben Bolt, 1984)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/315320.html#cutid2"&gt;XXIII: The Tell-Tale Heart (Desmond Hurst, 1934)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/315320.html#cutid3"&gt;XXIV: Frightmare (Pete Walker, 1974)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/315320.html#cutid4"&gt;XXV: Blood on Satan's Claw (Piers Haggard, 1970)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals: 25 (Cinema: 7; DVDs: 12; TV: 6)&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=315320" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:313796</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/313796.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=313796"/>
    <title>2010 Films X-XV</title>
    <published>2010-02-28T13:44:42Z</published>
    <updated>2010-02-28T13:44:42Z</updated>
    <category term="ted post"/>
    <category term="top 100"/>
    <category term="irvin kershner"/>
    <category term="dvds"/>
    <category term="robert hamer"/>
    <category term="emeric pressburger"/>
    <category term="james fargo"/>
    <category term="film reviews"/>
    <category term="cinema"/>
    <category term="clint eastwood"/>
    <category term="2010 films"/>
    <category term="michael powell"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">It's slow work - I've been marking.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/313796.html#cutid1"&gt;X: Eyes of Laura Mars (Irvin Kershner, 1978)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/313796.html#cutid2"&gt;XI: Pink String and Sealing Wax (Robert Hamer, 1946)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/313796.html#cutid3"&gt;XII: Magnum Force (Ted Post, 1973)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/313796.html#cutid4"&gt;XIII: The Enforcer (James Fargo, 1976)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/313796.html#cutid5"&gt;XIV: The Red Shoes (Michael Powell and Emeric Pressberger, 1948)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/313796.html#cutid6"&gt;XV: The Gauntlet (Clint Eastwood, 1977)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals 15 (Cinema: 3; DVD: 6; Television: 6)&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=313796" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:306502</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/306502.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=306502"/>
    <title>2010 Films I-VI</title>
    <published>2010-01-23T22:21:48Z</published>
    <updated>2010-01-23T22:41:11Z</updated>
    <category term="2010 films"/>
    <category term="rainer werner fassbinder"/>
    <category term="wim wenders"/>
    <category term="dalton trumbo"/>
    <category term="jason reitman"/>
    <category term="cinema"/>
    <category term="film reviews"/>
    <category term="nicholas ray"/>
    <category term="dvds"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">A slow start&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/306502.html#cutid1"&gt;I: On Dangerous Ground (Nicholas Ray, 1952)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/306502.html#cutid2"&gt;II: Sherlock Holmes (Guy Ritchie, 2010)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/306502.html#cutid3"&gt;III: Welt am Draht (Wolrd on Wires/World on a Wire, Maria Werner Fassbinder, 1973)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/306502.html#cutid4"&gt;IV: Johnny Got His Gun (Dalton Trumbo, 1971)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/306502.html#cutid5"&gt;V: Falsche Bewegung (Wrong Move, Wim Wenders, 1974)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/306502.html#cutid6"&gt;VI: Up In the Air (Jason Reitman, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals 6 (Cinema: 2; DVD: 2; Television: 2)&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=306502" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:301106</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/301106.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=301106"/>
    <title>On Resolutions</title>
    <published>2010-01-01T20:59:17Z</published>
    <updated>2010-01-01T21:50:56Z</updated>
    <category term="resolutions"/>
    <category term="research"/>
    <category term="cinema"/>
    <category term="reading"/>
    <dw:mood>overly ambitious</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I am torn about New Year Resolutions, if only because I'm bad at carrying them out - and it feels like setting yourself up for the fail. My experience at work of life being increasingly determined by Intended Learning Outcomes and so forth mean that there is more focus on the one thing that you did not do rather than the nine hundred and ninety nine that you did. Why is your glass only half full?&lt;br /&gt;&lt;br /&gt;I failed at completing the top hundred films, the Hitchcocks and the Colin Dexters, but I saw a lot of other films and read a number of books, and wrote a lot - see this:&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/301106.html#cutid1"&gt;Cut for sheer bloody exhaustedness&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;I've had a To Do List to get me through December, and I think &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/301106.html#cutid2"&gt;I did pretty well:&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;So for 2010, my resolutions? Well, what am I committed to?&lt;br /&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;Probably another chapter on &lt;i&gt;The Man Who Fell to Earth&lt;/i&gt;&lt;br /&gt;&lt;li&gt;A section for another guide to sf&lt;br /&gt;&lt;li&gt;An article on steampunk&lt;br /&gt;&lt;li&gt;A chapter based on the proposal&lt;br /&gt;&lt;li&gt;A 100,000 word book on seventies sf.&lt;br /&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/ol&gt;&lt;br /&gt;&lt;br /&gt;On that latter, I want to watch 100 films, read 300 books, and watch about three hundred episodes of television. &lt;br /&gt;&lt;br /&gt;See what I mean about the fail? It's the fine for films, but it's three or four times as many books as I've read last year. Think of it as one a day until November.&lt;br /&gt;&lt;br /&gt;On the other hand, a rolling to do list would have to include all the Hugo and Nebula novel winners of the 1970s, namely:&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://faustus.dreamwidth.org/266930.html?#cutid2"&gt;Larry Niven, &lt;i&gt;Ringworld&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;li&gt;Robert Silverberg, &lt;i&gt;A Time of Changes&lt;/i&gt;&lt;br /&gt;&lt;li&gt;Philip José Farmer, &lt;i&gt;To Your Scattered Bodies Go&lt;/i&gt;&lt;br /&gt;&lt;li&gt;Isaac Asimov, &lt;i&gt;The Gods Themselves&lt;/i&gt;&lt;br /&gt;&lt;li&gt;Arthur C. Clarke, &lt;i&gt;Rendezvous with Rama&lt;/i&gt;&lt;br /&gt;&lt;li&gt;Ursula K. Le Guin, &lt;i&gt;The Dispossessed&lt;/i&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://faustus.dreamwidth.org/272986.html?#cutid2"&gt;Joe Haldeman, &lt;i&gt;The Forever War&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;li&gt;Frederik Pohl, &lt;i&gt;Man Plus&lt;/i&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://faustus.dreamwidth.org/272986.html?#cutid5"&gt;Kate Wilhelm, &lt;i&gt;Where Late the Sweet Birds Sang&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;li&gt;Frederik Pohl, &lt;i&gt;Gateway&lt;/i&gt;&lt;br /&gt;&lt;li&gt;Vonda McIntyre, &lt;i&gt;Dreamsnake&lt;/i&gt;&lt;br /&gt;&lt;li&gt;Arthur C. Clarke, &lt;i&gt;The Fountains of Paradise&lt;/i&gt;&lt;br /&gt;&lt;li&gt;Gregory Benford, &lt;i&gt;Timescape&lt;/i&gt;&lt;br /&gt;&lt;li&gt;Joan D. Vinge, &lt;i&gt;The Snow Queen&lt;/i&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/ol&gt;&lt;br /&gt;&lt;br /&gt;The number ticked off mean I can probably add shortlists too (but what is it with the Nebulae in 1975?).&lt;br /&gt;&lt;br /&gt;In other aspects of life - less pub follows, and I want to do more food preparation and preparation, so I have things to defrost rather than too much reliance on prepared food. No more crisps; tips on low fat savoury snacks for lunches welcome (there must be oaty stuff). More fruit.&lt;br /&gt;&lt;br /&gt;I want to get to Nottingham, Chichester and Alfriston, in part for exhibitions, and maybe to Brighton. It's about time I went back to Hastings, and maybe a second visit to Lewis or Eastbourne.&lt;br /&gt;&lt;br /&gt;I am going to see this &lt;a href="http://faustus.dreamwidth.org/295044.html"&gt;comedy&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I need to get a rhythm.&lt;br /&gt;&lt;br /&gt;Over the last year I managed to redress the work and leisure balance - by going to the movies, by seeing comedy, by going to the pub. What I also need to do is doing nowt time - to catch my breath.&lt;br /&gt;&lt;br /&gt;So, there's the plan, and as far as it is a resolution, bring on the fail...&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=301106" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:299288</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/299288.html"/>
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    <title>2009 Films</title>
    <published>2009-12-28T00:44:04Z</published>
    <updated>2010-01-02T00:02:03Z</updated>
    <category term="dvds"/>
    <category term="films"/>
    <category term="2009 films"/>
    <category term="film reviews"/>
    <category term="cinema"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/299288.html#cutid1"&gt;I-X&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/299288.html#cutid2"&gt;XI-XX&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/299288.html#cutid3"&gt;XXI-XXX&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/299288.html#cutid4"&gt;XXXI-XL&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/299288.html#cutid5"&gt;XLI-L&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/299288.html#cutid6"&gt;LI-LX&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/299288.html#cutid7"&gt;LXI-LXX&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___8" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/299288.html#cutid8"&gt;LXXI-LXXX&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___8" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___9" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/299288.html#cutid9"&gt;LXXXI-XC&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___9" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___10" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/299288.html#cutid10"&gt;XCI-C&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___10" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___11" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/299288.html#cutid11"&gt;CI-CX&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___11" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___12" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/299288.html#cutid12"&gt;CXI-CXXI&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___12" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=299288" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:298000</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/298000.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=298000"/>
    <title>2009 Film CXVI</title>
    <published>2009-12-21T00:57:55Z</published>
    <updated>2009-12-21T10:00:01Z</updated>
    <category term="2009 films"/>
    <category term="james cameron"/>
    <category term="cinema"/>
    <category term="film reviews"/>
    <dw:mood>three dimensional</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">And this is impossible to discuss without giving away plot points.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/298000.html#cutid1"&gt;CXVI: Avatar (James Cameron, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals: 116 - [Cinema: 36; DVD: 70; Television: 10]&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=298000" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:297672</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/297672.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=297672"/>
    <title>2009 Films CXII-CXV</title>
    <published>2009-12-20T15:39:50Z</published>
    <updated>2009-12-20T19:16:23Z</updated>
    <category term="films"/>
    <category term="dvds"/>
    <category term="2009 films"/>
    <category term="spike jonze"/>
    <category term="coen brothers"/>
    <category term="cinema"/>
    <category term="film reviews"/>
    <category term="wim wenders"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/297672.html#cutid1"&gt;CXII: Der Amerikanische Freund (The American Friend, Wim Wenders, 1977)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/297672.html#cutid2"&gt;CXIII: Where the Wild Things Are (Spike Jonze, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/297672.html#cutid3"&gt;CXIV: A Serious Man (Joel and Ethan Coen, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/297672.html#cutid4"&gt;CXV: Humpday (Lynne Shelton, 2009) - spoilers&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Off to see &lt;i&gt;Avatar 3D&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals: 115 - [Cinema: 35; DVD: 70; Television: 10]&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=297672" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:296281</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/296281.html"/>
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    <title>2009 Films CII-CXI</title>
    <published>2009-12-16T15:38:47Z</published>
    <updated>2009-12-16T15:42:13Z</updated>
    <category term="f. gary gray"/>
    <category term="wim wenders"/>
    <category term="film reviews"/>
    <category term="cinema"/>
    <category term="clint eastwood"/>
    <category term="alan j. pakula"/>
    <category term="sergio leone"/>
    <category term="wes craven"/>
    <category term="films"/>
    <category term="2009 films"/>
    <category term="dvds"/>
    <category term="dario argento"/>
    <category term="bob fosse"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Brief comments to catch up:&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CII: &lt;i&gt;The Parallax View&lt;/i&gt; (Alan J. Pakula, 1974)&lt;/b&gt;&lt;br /&gt;1970s conspiracy thriller built around an assassination, and who saw what. Warren Beatty in the man watching his back.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CIII: &lt;i&gt;Jennifer's Body&lt;/i&gt; (Karyn Kusama, 2009)&lt;/b&gt;&lt;br /&gt;There's a great movie to be built around the tagline "She's evil, not high school evil", but this isn't it. Despite the &lt;i&gt;Juno&lt;/i&gt; pedigree, this lacks the sharpness of that script, and just doesn't play enough with the conventions - nor make much sense.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CIV: &lt;i&gt;C'era una volta il West&lt;/i&gt; (&lt;i&gt;Once Upon A Time in the West&lt;/i&gt;, Sergio Leone, 1968&lt;/b&gt;&lt;br /&gt;This doesn't quite have the sweep of &lt;i&gt;The Good, The Bad and The Ugly&lt;/i&gt;, and lacks Clint, but still a gripping, thrilling, amusing, western full of dialogue you'll be wanting to quote for days. A harmonica player and a desperado join forces to help a widow who is bullied by the buiders of the railroad. Tarantino should watch and note how to do it properly.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CV: &lt;i&gt;The Card Player&lt;/i&gt; (Dario Argento, 2003)&lt;/b&gt;&lt;br /&gt;From Argento as scriptwriter to Argento as director, scriptwriter and father of one of the cast. A giallo, perhaps, but in any case a horror thriller cast in the mode of &lt;i&gt;Hostel&lt;/i&gt; and the &lt;i&gt;Saw&lt;/i&gt; series (which it predates. A cop is forced to play online poker to save kidnapped blondes. Predictably total bollocks but fun.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CVI: &lt;i&gt;The Outlaw Josey Wales&lt;/i&gt; (Clint Eastwood, 1976)&lt;/b&gt;&lt;br /&gt;Eastwood clearly paid attention whilst doing the man with no name - not exactly a revisionist western, but a spin on &lt;i&gt;The Searchers&lt;/i&gt; which shows more respect for native Americans than the white settlers. I really need to bone up on American Civil War iconography to follow the ins and outs of westerns.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CVII: &lt;i&gt;Lenny&lt;/i&gt; (Bob Fosse, 1974)&lt;/b&gt;&lt;br /&gt;Biopic of the Russell Brand of his day, one of those comedians who made Bill Hicks and Richard Pryor possible: Lenny Bruce, here played by Dustin Hoffman. The narrative leaps around, and aspires to documentary, but I'd say the ending was botched. In glorious black and white.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CVIII: &lt;i&gt;Im Lauf der Zeit&lt;/i&gt; (&lt;i&gt;Kings of the Road&lt;/i&gt;, Wim Wenders, 1976)&lt;/b&gt;&lt;br /&gt;Wenders is one of those directors, like Greenaway, who was very big in the 1980s but has vanished from mind. I appear to be working through the boxset given what else I have on the to watch pile, and this is no bad thing. This is a road movie, in glorious black and white, and at times looks like a western - albeit one shot on the borders of East Germany. The plot, such as it is, concerns the travels of a cinema engineer and an estranged husband. It's an 18, which is a little harsh, but it does include male nudity, a major character taking a dump and a cameo masturbating. Probably ninety minutes too long, but indulge it.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CIX: &lt;i&gt;Celia&lt;/i&gt; (Anne Turner, 1989)&lt;/b&gt;&lt;br /&gt;Rewatch of a film both charming and disturbing - the story of nine year old Celia in Australia in the era of the red scare and the rabbit epidemic. Like &lt;i&gt;Heavenly Creatures&lt;/i&gt; (Peter Jackson - what happened to him?), this takes us into a child's psyche. It was mismarketed as horror, but it is certainly disturbing.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CX: &lt;i&gt;Red Eye&lt;/i&gt; (Wes Craven, 2005)&lt;/b&gt;&lt;br /&gt;Effective but frankly barking thriller that is not exactly typical of the director's oeuvre. A hotel receptionist's father is held sort-of hostage to ensure her co-operation during a flight home. The criminals seem to have gone to far much trouble to achieve what they want - a carefully placed bomb would have diposed of the plot. Brian Cox collects another easy paycheck as yet another father possibly marked for death, and the principals are pleasant enough to watch.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CXI: &lt;i&gt;Be Cool&lt;/i&gt; (F. Gary Gray, 2005)&lt;/b&gt;&lt;br /&gt;Gruelish Elmore Leonard sequel where various gangsters, rappers and Russians fight over owed money, witnesses to an assassination and a disputed music contract. John Travolta treds water, James Woods offers an amusing cameo, and the best bits involve The Rock as a gay bodyguard. Ho hum.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals: 101 - [Cinema: 32; DVD: 69; Television: 10]&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Meanwhile, back at the totals:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.languageisavirus.com/nanowrimo/word-meter.html" target="_blank" title="NaNoWriMo writing toys games &amp;amp; gadgets"&gt;&lt;div style="width:200px;height:15px;background:#FFFFFF;border:1px solid #000000;"&gt;&lt;div style="width:73%;height:15px;background:#ff33FF;font-size:8px;line-height:8px;"&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;2913 / 4000 words. 73% done!&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=296281" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:293055</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/293055.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=293055"/>
    <title>2009 Films IC-CI</title>
    <published>2009-11-25T01:02:09Z</published>
    <updated>2009-11-25T10:46:54Z</updated>
    <category term="tony scott"/>
    <category term="sam peckinpah"/>
    <category term="films"/>
    <category term="2009 films"/>
    <category term="dvds"/>
    <category term="terry gilliam"/>
    <category term="cinema"/>
    <category term="film reviews"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>2</dw:reply-count>
    <content type="html">&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/293055.html#cutid1"&gt;IC: Top Gun (Tony Scott, 1986)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/293055.html#cutid2"&gt;C: Bring Me the Head of Alfredo Garcia (Sam Peckinpah, 1974)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/293055.html#cutid3"&gt;CI: The Imaginarium of Doctor Parnassus (Terry Gilliam, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals: 101 - [Cinema: 30; DVD: 63; Television: 8]&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=293055" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:290272</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/290272.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=290272"/>
    <title>2009 Films XCIII-XCVIII</title>
    <published>2009-11-13T15:49:09Z</published>
    <updated>2009-11-13T15:49:09Z</updated>
    <category term="dvd"/>
    <category term="volker schlondorff"/>
    <category term="cinema"/>
    <category term="film reviews"/>
    <category term="joy batchelor"/>
    <category term="john h. auer"/>
    <category term="john halas"/>
    <category term="irvin kershner"/>
    <category term="john carpenter"/>
    <category term="nina paley"/>
    <category term="paul oremland"/>
    <category term="films"/>
    <category term="2009 films"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/290272.html#cutid1"&gt;XCIII: City that Never Sleeps (John H. Auer, 1953)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/290272.html#cutid2"&gt;XCIV: Insomnia (Christopher Nolan, 2002)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;And did you see what I did with my choices?&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/290272.html#cutid3"&gt;XCV: Halloween (John Carpenter, 1978)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/290272.html#cutid4"&gt;XCVI: The Empire Strikes Back (Irvin Kershner, 1980)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/290272.html#cutid5"&gt;XCV: Sita Sings the Blues (Nina Paley, 2008)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/290272.html#cutid6"&gt;XCVI: Animal Farm (Joy Batchelor and John Halas, 1954)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/290272.html#cutid7"&gt;XCVII: Like It Is (Paul Oremland, 1998)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___8" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/290272.html#cutid8"&gt;XCVIII: Die Blechtrommel (The Tin Drum, Volker Schlöndorff, 1979)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___8" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals: 98 - [Cinema: 29; DVD: 62; Television: 7]&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=290272" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:289095</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/289095.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=289095"/>
    <title>2009 Films LXXXVIII-XCII</title>
    <published>2009-11-03T01:07:58Z</published>
    <updated>2009-11-03T13:09:39Z</updated>
    <category term="joe wright"/>
    <category term="paul wietz"/>
    <category term="2009 films"/>
    <category term="dvds"/>
    <category term="pete docter"/>
    <category term="ed aldridge"/>
    <category term="shane meadows"/>
    <category term="bob peterson"/>
    <category term="cinema"/>
    <category term="film reviews"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/289095.html#cutid1"&gt;LXXXVIII: Tan Lines (Ed Aldridge, 2006)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/289095.html#cutid2"&gt;LXXXIX: Up (Pete Docter and Bob Peterson, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/289095.html#cutid3"&gt;XC: Cirque du Freak: The Vampire's Assistant (Paul Wietz, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/289095.html#cutid4"&gt;XCI: The Soloist (Joe Wright, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/289095.html#cutid5"&gt;XCII: Le Donk &amp; Scor-zay-zee (Shane Meadows, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Totals: 92 - [Cinema: 27; DVD: 60; Television: 5]&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=289095" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:286578</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/286578.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=286578"/>
    <title>2009 Films LXXXIII-LXXXVII</title>
    <published>2009-10-20T12:23:23Z</published>
    <updated>2009-10-20T23:09:39Z</updated>
    <category term="andrew niccol"/>
    <category term="nacho vigalondo"/>
    <category term="2009 films"/>
    <category term="dvds"/>
    <category term="nora ephron"/>
    <category term="rob green"/>
    <category term="film reviews"/>
    <category term="cinema"/>
    <category term="q. allan brocka"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/286578.html#cutid1"&gt;LXXXIII: Boy Culture (Q. Allan Brocka, 2006)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/286578.html#cutid2"&gt;LXXXIV: Lord of War (Andrew Niccol, 2005)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/286578.html#cutid3"&gt;LXXXV: The Bunker (Rob Green, 2001)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/286578.html#cutid4"&gt;LXXXVI: Julie and Julia (Nora Ephron, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/286578.html#cutid5"&gt;LXXXVII: Los Cronocrímenes (Timecrimes, Nacho Vigalondo, 2007)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals: 87 - [Cinema: 23; DVD: 59; Television: 5]&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=286578" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-26:124918:279924</id>
    <link rel="alternate" type="text/html" href="https://faustus.dreamwidth.org/279924.html"/>
    <link rel="self" type="text/xml" href="https://faustus.dreamwidth.org/data/atom/?itemid=279924"/>
    <title>2009 Films LXXI-LXXII</title>
    <published>2009-09-20T23:18:04Z</published>
    <updated>2009-09-20T23:18:04Z</updated>
    <category term="dvds"/>
    <category term="films"/>
    <category term="2009 films"/>
    <category term="neill blomkamp"/>
    <category term="film reviews"/>
    <category term="cinema"/>
    <category term="richard curtis"/>
    <dw:mood>cinematic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/279924.html#cutid1"&gt;LXXI: District 9 (Neill Blomkamp, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://faustus.dreamwidth.org/279924.html#cutid2"&gt;LXXII: The Boat that Rocked (Richard Curtis, 2009)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Totals: 72 - [Cinema: 21; DVD: 48; Television: 3]&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=faustus&amp;ditemid=279924" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
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